Welcome back to 60 for 60, a yearlong celebration of Steve Whitmire and his work in anticipation of his 60th birthday later this year. This month we celebrate Steve’s work as Beaker, specifically in the viral videos that the Muppets made for YouTube.Despite the fact that Beaker is one of my favorite Muppets, I originally hadn’t included him in this project, for reasons that seemed to make sense at the time but that I can no longer remember. Then I watched the viral videos in which he features again and realized what a travesty it was to leave them out, because each of them is completely brilliant, and it’s some of the best and most Muppety content the Muppets have put out in the last 30 years. By all accounts, Steve had a lot of input into the creation of the viral videos, which means that he gets a lot of the credit for their quality and success.
If there’s one thing that Muppet fans agree on, it’s that there are variations to Kermit’s behavior/personality. Many see the differences as a negative and attribute them to the change(s) in performer. Both Steve Whitmire and the writers are frequent targets of this criticism, with fans on forums claiming that the writers and Steve alike have been too “precious” about Kermit, resulting in Kermit’s having become too soft, too bland, or too nice. I understand what they mean, and I understand that “precious” is meant to be a pejorative in this case, but personally, I think that being “too precious” with Kermit and the other Muppets is vastly preferable than treating them like old socks that can be tossed around willy-nilly, as Disney is doing now.*
However, I get the impression (and this is pure conjecture on my part) that Steve had been hearing criticisms in this vein for years and years. No more than one day before Cheryl Henson infamously weaponized the criticisms against him in a Facebook post (which, in her defense, was apparently intended to be private), he made the following statement in a blog entry: “[T]here is actually no such thing as Jim’s Kermit and Steve’s Kermit – There is only Kermit.”
In my opinion, the whole issue is a lot more complex than anyone, perhaps even Steve, is willing and/or able to fully acknowledge.
As you’re probably already aware, there’s a movie coming out today called The Happytime Murders, directed by Brian Henson. I haven’t talked about the movie here, and the reason is that I haven’t been able to bring myself to watch the trailer, and I make it a point not to critique things that I haven’t seen. It’s a personal quirk of mine; I call it “integrity.”
There is a certain Muppet fan site, which I will not identify by name, that regards Happytime as Serious Business, and they are Very Concerned about the movie’s R-rated content, concerns that they expressed in an extremely sanctimonious commentary on the movie* that none of them have technically “seen,” raising questions about its worthiness of the Henson name and worrying about its effect on Jim Henson’s legacy.
The original Muppet Babies series was not part of my childhood because it was on a channel that we didn’t get at my house. However, as a teenager I had a steady babysitting job and I watched Muppet Babies with those kids a lot, so I’m passingly familiar with it. And yet, that was twenty-some years ago, so it’s no longer in the forefront of my consciousness.
All of which is just to say that, as I review the new Muppet Babies series (or, at least, the two episodes of it that I’ve seen), I won’t be making comparisons with the original series because the original series is largely lost to me in the mists of memory.
Today I want to talk about It’s a Very Merry Muppet Christmas Movie, or “VMX” for short.
Now, VMX is not my favorite Muppet thing ever, not by a long shot. But I would forgive anybody just about anything for the sake of “Everyone Matters,” a beautiful song from the special:
I love this song, partially because it gives such good Sad-Gonzo. Sad-Gonzo is my favorite Gonzo. As far as I’m concerned, the worst thing that ever happened to Gonzo’s character is when his eyelids became mobile and he could change expressions.