Welcome to the final regular installment of 60 for 60, a year-long celebration of the work of Steve Whitmire in anticipation of his 60th birthday next month. This month’s theme is live appearances by Muppet characters.Of the many strange and perplexing things that happened in conjunction with the Muppets’ 2015 series, one that I found to be among the strangest and most perplexing was this bizarre statement by Bill Prady, that it would be the first time that the Muppets were in our world. How are they not in our world? Not only have six of their eight movies been set in our world, but the Muppets make live appearances in our world all the time. And when they do, it results in some of the best and most entertaining material because they’re usually a little freer to do some ad libbing and to be themselves, insofar as the Muppets have selves, which is a deep philosophical dive that I don’t think I’m ready to take at the moment and would probably require a whole other entry even if I were.
This last weekend Steve was at Michigan Comic Con in Detroit, where he was gracious enough to give an interview for a publication based there, taking great care to emphasize the puppetry aspect of his work and that he’s not a voice person.
So of course, the entire written interview is all about voices, with the puppetry mentioned only as an afterthought.
Therefore, I recommend the accompanying YouTube video of the interview over the written version. Even though it looks like it’s been edited down somewhat, at least Steve gets to express himself in his own words:
This video is actually really exciting, though, because Steve explains a bit more about his live-stream concept with Weldon. This is information that Steve actually told me when I met him in Omaha, but I wasn’t sure if I was allowed to talk about it, so I erred on the side of caution in not mentioning it. But now he’s expressed it publicly, so I guess it’s okay for me to talk about it.
Yesterday I mentioned the existence of full panels from last year’s OCon on YouTube, but what I failed to mention was that one of them featured Sesame Street actors Roscoe Orman (aka Gordon) and Alan Muraoka. I thought about it today and realized that might be of interest, so here it is:
Also, it appears from this that OCon just doesn’t provide microphones for audience questions at all, which seems to be very unusual. Nevertheless, given how hard it is to hear the audience questions on the video, it makes me very glad that I have notes of Steve’s Q&A, although it remains to be seen how helpful they will be.
Welcome back to 60 for 60, a year-long celebration of the work of Steve Whitmire in anticipation of his 60th birthday in a couple months. The theme for this month is interviews of Steve (not his characters), and it is unique in that not all five examples are available in video form. As a matter of fact, most of them are not.
I planned out the themes for each installment of 60 for 60 ten months ago. At that time, of course, I had no idea that I would actually have met Steve by this time. A lot has changed since I planned out this project, and the plan for this month has changed more than any other in the interim as I re-evaluate interviews that I was going to use and new interviews emerge. But what hasn’t changed is my wish to celebrate Steve himself rather than just his characters, although they’re important too.
I’m not a Muppet performer, and I’m not really a puppeteer despite a brief amateur stint. So I can’t say that I really know what it’s like, but I imagine that it must be an interesting dichotomy. On the one hand, the anonymity that it affords you could be very valuable, but on the other hand, I can imagine that it would sometimes get frustrating to be part of something that is so popular and well known but only rarely get credit or recognition for it.
This month is all about that recognition.
In the first part of my OCon “saga,” I talked about how Steve was in the midst of a podcast interview when I met him. The podcast is called CF3 (Cult Fans, Films & Finds), and the episode just went up. In addition to Steve’s interview, it also includes an interview with Gigi Edgley, a review of The Dark Crystal, and some other stuff.
A word of caution before I post a link to the content: while the interview segments are safe and appropriate for everyone, the rest of the episode contains some explicit language. I don’t think I’m able to link right to one particular segment, unfortunately.
Oh, and by the way…I’M IN THIS PODCAST! They paused it briefly so Steve could talk to me but resumed it when they realized that we were acquainted. So you can hear me say hi to him (which I have NO MEMORY of doing, by the way), and then you can hear me getting giggly from nerves when Steve compliments my blog.
For some reason, the embed function isn’t working, so here’s the web address:
I’ve been told that it is also available through the various podcast apps, if that’s more convenient.
I wanted to give you timestamps to help you find the most relevant content on your own, but for some inexplicable reason, the points where I’m finding the content are different every time I try to seek them out, so I can only give you approximate time stamps:
- Start of Steve’s interview: Approximately 5 minutes (plus or minus 15 seconds)
- My brief contribution: Approximately 6 minutes (plus or minus 40 seconds)
- Steve’s rating of The Dark Crystal: Approximately 1 hour (plus or minus 6 minutes)
It’s not ideal, but that’s the best I can do.
Well, I decided to follow Mark Hamill on Twitter just in time to hear his version of the Skeksis Scientist’s voice as he plugs the Dark Crystal panel at San Diego Comic Con.
But first the bad news: I’m having some sort of issue with my left wrist, so trying to lay off typing for a while, which means a delay in the rest of my OCon saga.
And now the good news: Whatever was going on with my wrist last week seems to have resolved, so I can now talk a little bit about this interview, although I don’t have that much to say about it.
I really appreciate that this interviewer purposely tries to delve into the more obscure stuff. I mean, I knew that Dreamchild exists, but I’ve never heard anyone talk about it before.
However, I don’t like the fact that, when searching for stock Kermit images, they decided on a screen grab from the first Vogel!Kermit video. I imagine that it wasn’t intentional, but now it seems like Simula-Kerm is looking over Steve’s shoulder and mocking him. I wonder if Steve noticed what graphic they were using at the time.
Meanwhile, I’m continuing to scour YouTube for more videos or other content from OCon. If anyone has any or knows of any, please let me know. Thanks.
Miss Piggy is a popular character, both in the Muppet fandom and out of it. She is loved for being funny and admired for being strong. Some even regard her as a feminist icon. Nevertheless, I, for one, want nothing to do with Miss Piggy’s particular brand of feminism, nor would I mind having nothing further to do with the character herself.
I find very little, if anything, that is either funny or admirable about Miss Piggy. At best, she is a bully, and at worst, her behavior (particularly toward Kermit) is abusive. It’s a pernicious double standard that I believe needs to be called out.
When Steve introduced his new character Weldon at the Louisville Supercon about four months ago, apparently they promoted it with a Facebook post including a picture. It appears to be the same picture that Steve showed in his Milo Beasley Show interview and mentioned that it had been artificially darkened, but it at least gives us an idea.
Here it is, for those who are curious:
Thanks to readers and commenters Sidney, who first alerted me to the existence of this post, and Andrew K, who posted a link to it that was accessible to me. Let’s all keep our eyes out, and hopefully we’ll get to see him in action soon!
Welcome back to 60 for 60, a yearlong celebration of the work of Steve Whitmire in anticipation of his upcoming 60th birthday. This month we celebrate Steve’s work as the most famous and beloved amphibian in the entire world: Kermit the Frog.My feelings about Kermit have been raw lately, and it’s hard to know what to say about him. Instead of thinking of something original, let me fall back on my words from 2013:
“[Kermit] is everything I want to be: funny without being mean, smart without being overbearing, and although he sometimes loses his temper, he never says an unkind word. He’s been involved in show business for almost 60 years now, with his integrity still intact. He’s been everywhere and seen everything, and yet he’s never become cynical, never lost his faith in humanity, and always finds something positive to say about everyone. He’s a prince among frogs AND men.”
— The Muppet Mindset’s “Great Muppet Survey,” published June 3, 2013
Approximately two months ago (wow, really?), I posted an interview that Steve gave at the Supercon in Louisville around the end of November, I believe. This week (well, technically last week) I received notification of video of a panel discussion from the same event.
Couple of noteworthy things about it:
Gigantic thanks to reader and commenter Sidney who alerted me to the existence of this newly posted interview that Steve gave at Louisville Supercon in either late November or early December. It made my day. Pretty much my whole week, really:
For months (and this isn’t a criticism, just a statement of fact), Steve has been talking in the vaguest of terms about new characters he’s been developing, and now we finally have something more specific. Apparently he made a new character debut in Louisville. Someone commented upon it on Instagram, but I didn’t mention it at the time because I didn’t know any specifics.
So Kermit has been working the talk show circuit promoting his bizarre, random part in the upcoming Wizard of Oz pantomime in Los Angeles happening this month. (Which, by the way, does sound like a lot of fun. I would go see it if I had any way of getting to Los Angeles). One stop he made was on the Late Late Show with James Corden, which I didn’t watch because I don’t stay up that late late anymore:
I liked the whole “Man or Muppet” bit, I very much enjoyed Matt’s money note, and I’m just thankful Kermit’s little microphone didn’t smack anybody in the eye (as far as we know) when it went flying at the end.
I could do more in-depth analysis about it, but honestly, at this point I’m basically just saying…it is what it is. I can accept this iteration as Kermit, but he’s not “my” Kermit. I can enjoy what he’s doing, but I can’t emotionally invest in him.
And that could very well change. I have keep reminding myself that it took me six years to fully embrace Steve’s Kermit, and Matt has only been doing it for just over a year.
I’m just grateful that they didn’t sing “Rainbow Connection.” Kermit did sing “Rainbow Connection” on The Talk with his panto co-star Marissa Jaret Winokur. There was no warning, so I didn’t have time to prepare mentally, but I curbed my kneejerk reaction to leap from the couch and turn off the TV, so that’s something, I guess. And it was fine. It was a perfectly lovely performance, and it brought back fond memories of seeing Winokur perform in Hairspray when I was in college. So I’m pretty okay with the whole situation. It’s not bad, it’s not good…but it is what it is.
But now to the real reason I wanted to bring up this appearance on the Late Late Show. I wanted to make a comment about one of the interview segments, and it actually has nothing to do with Kermit at all. It has to do with the closed captions:
At the beginning of this segment Minka Kelly (whoever she is) is talking about her background working as a scrub nurse. Turn on the closed captioning during that part; it’s hilarious. “Craniotomy” becomes “crane yot me” and “hysterectomy” becomes (and this is epic) “‘histoires d’hiver’ recht me,” or…removal of French winter stories, I guess? It reminds me of the time I spent editing speech recognition documents as a medical transcriptionist.
And now you all know what that’s like. You’re welcome. 😉
Bon soir, mes amis! I’ve been very busy working in advance of the upcoming holiday. When you write for a living, it’s kind of hard to keep up a blog in your free time.
I’ve been remiss in not sharing this interview I found recently of Steve from all the way back during the Niagara Falls Comic Con in June:
At three minutes long, it’s a tasty morsel. Enjoy!
Part Two of my two-part celebration of Mr. Caroll Spinney and his two most famous characters on the occasion of his retirement, in which I attempt to unravel the fascinating enigma that is Oscar the Grouch.
When I was a kid, I was confused by Oscar the Grouch. While I thought he was funny, I wasn’t quite sure what his purpose was, why there was a character on Sesame Street who was so rude all the time, or whether or not it was okay to laugh at him.
I was an adult before I realized that Oscar represents the dark side of the street. He’s the rain cloud that helps us appreciate the sunshine. He’s the pinch of salt that keeps all the sweetness on Sesame Street from becoming too saccharine.