Twelve Days of Muppet Christmas Carol: Conclusion

dueling scrooges

The 12 Days of Muppet Christmas are over for the 2018-2019 season, and because comparisons are apparently meaningless without arbitrary value judgments, it’s time to tally the results:

Muppet Christmas Carol: 6
A Christmas Carol (1999): 5
Draw: 1

So, Muppet Christmas Carol wins, right? Well…sort of. Things are a bit more complicated than that.

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Twelve Days of Muppet Christmas Carol: Charity Collectors

We’re in the home stretch now! It’s day eleven of the 12 Days of Muppet Christmas, and we’re looking at the two gentlemen in each production who attempt to persuade Scrooge to donate to charity


Charity Collectors


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Edward Petherbridge as Foster and Jeremy Swift as Williams, the charity collectors in Christmas Carol ’99


Beaker and Bunsen as the charity collectors in Muppet Christmas Carol, with Michael Caine and Kermit. (Bunsen Honeydew and Beaker are performed by Dave Goelz and Steve Whitmire, respectively)

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Twelve Days of Muppet Christmas Carol: Belle

Well, it’s day 9 of the 12 Days of Muppet Christmas. I’ve put it off as long as I can, but it’s time to address the elephant in the room: the character of Belle, Scrooge’s one-time fianceé whom he meets again as one of the shadows shown him by the Ghost of Christmas Past. 


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Laura Fraser as Belle in Christmas Carol ’99


Meredith Braun as Belle in Muppet Christmas Carol

In Muppet Christmas Carol, Belle sings a dull, depressing song. In Christmas Carol ’99, Belle does no singing at all, dull or otherwise.

Advantage: Christmas Carol ’99

Well, that was easy!


Twelve Days of Muppet Christmas Carol: Nephew Fred

Depending on the interpretation, Scrooge’s nephew Fred can either be the most admirable character in the story or an even more despicable character than Scrooge. Find out how on this, the eighth day of the 12 Days of Muppet Christmas.

Nephew Fred

Dominic West as Scrooge’s nephew, Fred, in Christmas Carol ’99


Steven Mackintosh as Nephew Fred in Muppet Christmas Carol

One small but significant difference right off the bat between Muppet Christmas Carol and the 1999 TV movie starring Patrick Stewart is that Christmas Carol ’99 includes Fred’s backstory: he’s the son of Scrooge’s deceased sister (called Fran in Christmas Carol ’99, although the original story has her name as “Fan”). In MCC, Fred is also Scrooge’s nephew, but no mention is made of his parents one way or the other. This is similar to the approach taken in “Mickey’s Christmas Carol” (the first “Christmas Carol” adaptation I ever saw and the one by which I judge all others, for better or worse), and perhaps that’s not surprising because nephewism is prominent in both franchises. (Which is fine, by the way; if our choices are nephewism and “cross-promoting,” I’ll take nephewism any day.)

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Twelve Days of Muppet Christmas Carol: Ghost of Christmas Past

On the fourth of 12 Days of Muppet Christmas, I question whether a puppet floating in a tank of fluid or an Oscar winner in a blond wig makes a better guide through Scrooge’s memories.

Ghost of Christmas Past

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Joel Grey as the Ghost of Christmas Past in Christmas Carol ’99

Karen Prell (lead puppeteer) and Jessica Fox (voice) as the Ghost of Christmas Past in Muppet Christmas Carol

The Ghost of Christmas Past from Muppet Christmas Carol is probably the depiction that comes closest to how Dickens described the character in the original novella. Though not explicitly stated, Dickens’ description is meant to evoke the idea of a candle flame come to life, and one can sort of tell how the team behind MCC took that as a jumping-off point in constructing a rod puppet meant to float in oil or water to give an ethereal effect (almost literally).

Oscar winner and one-time Muppet Show guest star Joel Grey plays the Ghost of Christmas Past in Christmas Carol ’99 as an androgynous but humanoid figure with an otherworldly glow, an unnatural skin tone, and a blond wig that he may have borrowed from Martin Short’s character Flik in Merlin, a TV special that also aired in 1999. (By the way, that’s not intended as a disparagement; I LOVE Martin Short in that blond wig in Merlin!)

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Twelve Days of Muppet Christmas Carol: Marley Ghost(s)

One of the few departures Muppet Christmas Carol made from the source material is that it added another Marley ghost to the mix. But do two Marleys make for a better adaptation than the 1999 TV version starring Patrick Stewart? Find out on this, the third day of the 12 Days of Muppet Christmas.


Jacob (and Robert) Marley


Statler (Jerry Nelson) and Waldorf (Dave Goelz) as Jacob and Robert Marley in Muppet Christmas Carol (Yes, I flipped the image so that my captions would match up; deal with it)

Bernard Lloyd - - Jacob Marley - A Christmas Carol (1988) - The Many Ghosts of ‘A Christmas Carol’

Bernard Lloyd as Jacob Marley in Christmas Carol ’99 (Only one ghost, but three different scenes)

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Twelve Days of Muppet Christmas Carol: Scrooge

Joyeux Noel, friends and readers, and thank you for joining me for the 2018-2019 installment of 12 Days of Muppet Christmas!

Because I’m a Muppet heretic, I can admit without hesitation or shame that Muppet Christmas Carol is not my favorite adaptation of the story. For nearly 20 years now, my favorite adaptation has been the 1999 made-for-TV movie starring Patrick Stewart and airing originally on TNT. 

However, given my relatively new appreciation of Muppet Christmas Carol, I want to see how the two versions measure up to one another. So for the next 12 days, coinciding with the traditional twelve days of Christmas, I’ll be comparing and contrasting the individual elements of these two different adaptations of the classic story and assigning an advantage to one or the other each day, because what’s the fun of comparing and contrasting without arbitrary value judgments? Then I’ll share the final results on January 6th (Epiphany).

Without further ado, let’s start by taking a closer look at our protagonist:


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Michael Caine as Ebenezer Scrooge in Muppet Christmas Carol

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Patrick Stewart as Ebenezer Scrooge in Christmas Carol ’99

Michael Caine and Patrick Stewart are both actors renowned for their vast talent. Though playing the same character, each has his own unique interpretation. It’s not a question of right or wrong, good or bad. Though different from one another, each actor’s take on the character is completely valid, which makes it interesting to see how each approaches the same character from an entirely different angle.

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Muppet Heresy: “When Love Is Gone” Represents Everything I Don’t Like About Muppet Christmas Carol


When love is gone

Why do you delight in torturing us?…JUST GO ALREADY!!!


I first saw Muppet Christmas Carol in December 1993 when we got the VHS as a Christmas present. Suffice it to say, the initial impression it left on me was not favorable. In fact, it was so unfavorable that it was approximately 20 years before I could watch it again.

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Muppet Heresy: In Defense of Muppets’ Wizard of Oz


A couple of weeks ago, it was announced that Kermit the Frog will be performing the title role in a live stage production of The Wizard of Oz which, as I’m sure we can all agree, seems really weird and random. Why that production? Why that role? Why just Kermit and not the whole Muppet troupe? It sounds to me like somebody in a decision-making role with the Muppets has a friend who called in a favor. But I digress.

Predictably, some of the reactions to the news involved some variation on the extremely witty comment, “I hope this production is better than Muppets’ Wizard of Oz, because that really sucked!”

I’ve never understood the hatred that people level against Muppets’ Wizard of Oz. Admittedly, it’s not the best thing that the Muppets have ever done, but it’s not the worst thing either, and there’s a lot of fun to be had with it, especially if–like me–you’re primarily familiar with the story from the original novel rather than the 1939 film adaptation.

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Happytime Hypocrisy

As you’re probably already aware, there’s a movie coming out today called The Happytime Murders, directed by Brian Henson. I haven’t talked about the movie here, and the reason is that I haven’t been able to bring myself to watch the trailer, and I make it a point not to critique things that I haven’t seen. It’s a personal quirk of mine; I call it “integrity.”

There is a certain Muppet fan site, which I will not identify by name, that regards Happytime as Serious Business, and they are Very Concerned about the movie’s R-rated content, concerns that they expressed in an extremely sanctimonious commentary on the movie* that none of them have technically “seen,” raising questions about its worthiness of the Henson name and worrying about its effect on Jim Henson’s legacy.

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Muppet Heresy That Borders on Blasphemy (not a joke)

Today I ran across this video of a fan-made simulacrum of Kermit (not to be confused with Simula-Kerm) singing “Gethsemane” from Jesus Christ Superstar.  I hesitated to post it, even–especially–on Easter Sunday, because I felt that doing so bordered on blasphemy.  I may be a heretic, but I am not a blasphemer; a subtle distinction, but one that’s extremely important to me.

But there was one particular line in the song that struck me as poignant as it relates to the Schism:

Show me there’s a reason for you wanting me to die.
You’re far too keen on ‘where’ and ‘how’…not so hot on ‘why.'”

It’s been approximately a year and a half, Disney.  Still waiting for you to show us the reason.

Twelfth Day of Muppet Christmas: VMX and “Everyone Matters”

Today I want to talk about It’s a Very Merry Muppet Christmas Movie, or “VMX” for short.

Now, VMX is not my favorite Muppet thing ever, not by a long shot.  But I would forgive anybody just about anything for the sake of “Everyone Matters,” a beautiful song from the special:

I love this song, partially because it gives such good Sad-Gonzo.  Sad-Gonzo is my favorite Gonzo.  As far as I’m concerned, the worst thing that ever happened to Gonzo’s character is when his eyelids became mobile and he could change expressions.

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“Muppet Family Christmas”: The gift that keeps on giving


This is my 100th post on this blog, and I wanted it to be something special.  So I want to go a little more in depth about my thoughts and feelings on “Muppet Family Christmas.”

Let me take you back to a time in December 1987, when I was a tender and callow seven-year-old.  I had seen The Muppet Movie and The Muppets Take Manhattan, (and possibly The Great Muppet Caper, although I think that actually happened later) so I wasn’t unfamiliar with the Muppet Show troupe, but we didn’t own any of those movies on home video yet, so while this wasn’t my introduction to the Muppet Show gang, it was the means by which I got to know them.  This was also one of the two times in my young life that I ever got to see the Fraggles on television, so that was really exciting for me.

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“Do something creative because you can’t NOT do it.”
–Kermit the Frog

Last week or so I was in a morbid mood, indulging in my self-defeat and wallowing in self-pity as I looked at my life:  Working two jobs to make ends meet, which sucks up all the time I’d rather be spending on researching and writing.  One job transcribing/editing other people’s words instead of writing my own; the other job working in retail, making me feel like I’ve come full circle and ended up right back where I started in high school, as though all my education and training and experience and suffering over the past 20 years has all been for naught.

Desperately in need of some inspiration, I turned back to Kermit’s TED talk from 2015, and that was very helpful.  One part was particularly helpful, and you know how much I love to take other people’s/frogs’ words and put them into big block quotes, so here goes:

“We need to help kids–and all of us trying to connect with our inner tadpole–to pursue our passion, even when the going gets tough.  Now, for grown-ups, that just might mean, folks, you gotta have a day job.  Cuz let’s face it, it’s easier to take creative chances when it’s not how you’re trying to support yourself.  That can be tough.”

That made me feel better about taking the second job.  No shame in doing what it takes to survive, so long as you don’t hurt others in the process.  And if that means I have to try to bang out part of a blog post in the time between stopping one job for the day and starting another, then I guess that’s what it takes.  It’s not ideal–it’s not at all the way that I prefer to work–but if that’s what the situation calls for, then I’ll just have to be flexible and learn to adapt, which is a professional skill on which I have always prided myself.

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The Impossible Dream

Frog Quixote

Welcome to my quixotic Muppet blog!  Why don’t I get things started by answering some questions that you, the reader, may or may not be wondering:

Who am I?
My name is Mary Arlene, sometimes spelled Arline–it’s a long story (see below).  For more information about me, please click here.

What is my quest?
Okay, at this point I’m not sure if that’s a serious question or if you–hypothetical reader–are just quoting Monty Python at me.  But it doesn’t matter, because my answer is the same either way.

My quest–specifically as a Muppet blogger, but also generally as a human being–can best be expressed by the lyrics to the song “The Impossible Dream” from the musical Man of La Mancha.  I’d like to pull out a few lines that I find particularly pertinent to what I’m trying to accomplish here:

To dream the impossible dream / to fight the unbeatable foe / to bear with unbearable sorrow … to right the unrightable wrong … to fight for the right without question or pause / to be willing to march into hell for a heavenly cause.”

Why a Muppet blog?
I used to write about Muppets a lot on my other blog.  Eventually, one of my friends–perhaps growing tired of my preoccupation–suggested that I start a dedicated Muppet blog.  It sounded like a fun idea.  Because of my background, I believed then–as I believe now–that I have a unique fan perspective on the Muppets that would provide an interesting counterpoint to the other Muppet fan sites that are out there. (See also “Why do I call myself a ‘Muppet Heretic'” below.)  But what with one thing and another, I never got around to it.

However, with recent schism (hereafter to be known as “the Schism”) between the Disney-owned Muppet Studios and longtime puppeteer Steve Whitmire, and the subsequent smear campaign waged in the press against Steve Whitmire, I felt the need to do my part to show my support for Steve and try to counteract all the negativity being directed toward him, both in the press and among the fan community.  

Why do I call myself a “Muppet Heretic”?
Partly because it fits in with my Don Quixote/Man of La Mancha theme, but it’s an idea that dates all the way back to when I first considered starting a Muppet blog in 2013.

To truly understand  why I call myself a “Muppet Heretic,” you have to understand something about my background.

I was born in 1980, at the peak of Muppet mania.  I’ve been a Muppet fan all my life, but during my formative years, I had limited access to them.  When The Muppet Movie was released in theaters, I was not yet born.  When The Muppet Show was wrapping up, I was still an infant.  And although I was just the right age for Fraggle Rock when it premiered in 1983, my family could not afford cable, so as a kid, I knew the Fraggle characters mostly from the Weekly Reader series of picture books to which we somehow obtained a subscription–which I enjoyed very much but, to paraphrase Billy Joel, you can’t get the sound from a story in a picture book, aimed at your average kid.  My first exposure to the Muppets was from Sesame Street, because it was available for free over the air; therefore, it was Sesame Street that really shaped my concept of what the Muppets were.

My secondary exposure to the Muppets was from the movies, but they weren’t readily available to me at first, either.  We did go see The Muppets Take Manhattan in the theater when I was four years old, but in retrospect, I think I was too young for it.  I got bored halfway through and turned around in my seat to watch the light from the projector–which is just as well, because if I had been paying attention when Kermit gets hit by a car, I don’t think I would have ever recovered.  Eventually, I had access to the Muppet movies through home video, but I think it was 1986 before we could afford to buy a VCR.  (And the first video we ever rented was Sesame Street Presents: Follow That Bird.)

So my experience with the Muppets was different from that of the typical Muppet fan my age.  For example, I knew all the words to “The Rainbow Connection” before I even knew that there WAS a Muppet Movie, because my older siblings knew it and used to sing it to me all the time, long before I ever got a chance to see the film.  As another example, I was 33 years old before I ever got to see Fraggle Rock in its entirety, although I had seen one episode at a friend’s house when I was six or seven.

While I’ve been a Muppet fan all my life, I only became involved in the online Muppet fan community around 2011 or so.  And on becoming involved, I came to the uncomfortable realization that my Muppet fan opinions seem to be out of step with the mainstream Muppet fandom.  For example, I think Sesame Street is funnier than The Muppet Show.  I like Muppet Treasure Island more than I like The Muppet Christmas Carol (which is not to say that I think Treasure Island is better, per se; just that I find it more enjoyable).  I like Muppets from Space more than I like The Muppets Take Manhattan (which has as much to do with the happy memories I have of watching Muppets from Space with friends in college than anything having to do with the movie itself).  I like The Dark Crystal more than Labyrinth.  I don’t have a single problem with A Very Merry Muppet Christmas Movie that I don’t also have with the original, non-Muppet It’s a Wonderful Life.  And I tend to be less critical and more forgiving of post-Jim Henson Muppet projects than ones in which Jim was actually involved.

These are relatively minor Muppet heresies.  I committed to a more major one in the summer of 2017.  For 27 years prior to that, I believed–as most people probably did, and do–that Jim Henson’s children were the best qualified to represent his posthumous wishes.  I no longer believe that.

I first began to have doubts when the Muppets were sold to Disney in 2004.  This seemed like a terrible idea to me, but on the other hand, I know that Jim was in the process of selling his company to Disney when he died, so I was willing to give the Henson children the benefit of the doubt that they honestly believed they were going along with what Jim would have wanted.

But the final straw came in July 2017 when the Henson children sided with Disney and against Steve Whitmire in the Schism.  Whether this was a coordinated effort between Disney and the Hensons, or Disney was just exploiting the Hensons for its own gain, I don’t know–but it certainly had the effect desired by Disney of discrediting Steve.  After a bit of soul-searching, wherein I tried to look at the matter from every angle and think about not just what was said but how it was said, I lost all faith in the Hensons’ good intentions.

What can you expect to find on this blog?
My primary purpose in this blog is to provide analysis and commentary on Muppet and Henson-related projects, both past and present.  I have some ideas for regular article series that I would like to feature.  For example, in 2013 I had a project on my other blog that I called “Year of Bert & Ernie,” wherein I posted a Bert & Ernie sketch every weekday.  Since that time, the official Sesame Street website has been overhauled and most of my links are now dead, and I’d like to rebuild that archive if at all possible.  I’d like to implement “Fraggle Fridays” wherein I give my impressions on Fraggle Rock from the perspective of someone who only got to see it as an adult.  I’d like to analyze salient themes within Jim Henson’s body of work, and I’d like to explore my Muppet heresies in more detail.

My secondary purpose in this blog is to analyze the Schism objectively, to explore my feelings about it subjectively, to expand upon ideas that were too long and detailed to express as comments in Steve’s blog, to hold Disney and the Hensons accountable for their words and actions, and–as noted above–to show my unequivocal support for Steve Whitmire and do my small part to try to counteract all the negativity against him.

What can you NOT expect to see on this blog?

  • You cannot expect to see interviews with Muppets/Muppet performers.  Given my unabashedly critical stance with regard to  both Disney and JHC, it is extremely unlikely that they will allow me to speak directly or indirectly with any of the Muppet characters or performers.  ToughPigs and The Muppet Mindset have some good interviews; if that’s what you’re looking for, I recommend you check those out.
  • You cannot contact Steve Whitmire or gain contact information for him from this blog.  I’m just a fan of Steve’s; I’m not affiliated with him, have never met him, and only know him through his blog and his work with the Muppets.  I don’t have his contact information, and I wouldn’t give it out even if I did.
  • You will not see undue criticism of, or personal attacks against, Matt Vogel and/or the other Muppet performers.  Matt Vogel is a talented puppeteer.  I have tremendous respect for him.  What’s happening now with the Muppet Studios is not his fault.  The same goes for the other Muppet performers.  They have enough to worry about without me, or anyone else, sitting on the sidelines telling them how to do their jobs.  I will treat them with nothing less than the respect they deserve, and I will hold all readers/commenters to the same standard.
  • Don’t expect to see spamming, flaming, trolling, or bullying of any kind.  Let me make one thing perfectly clear: Commenting on my blog, or anyone else’s, is a privilege–NOT a right.  If this privilege is abused on my blog, it will be suspended with or without advance notice and with or without explanation.  Respectful disagreement will be tolerated; rude, inappropriate, or hateful comments will not.  YOU HAVE BEEN WARNED!!!

Is my name spelled “Arlene” or “Arline”?
At this point, either spelling is acceptable.

“Arlene” is actually my middle name; per my birth certificate, it is spelled A-R-L-E-N-E.  I was named for my grandmother, whose middle name was “Arline”–pronounced the same, but spelled differently.  My parents changed the spelling of my name to give me my own sense of identity.

When I started getting serious about blogging about ten years ago, I wanted a screen name that sounded professional and felt like it belonged to me.  I hit upon the idea of using my middle name as though it were my last name.  In honor of my grandmother, I decided to use her spelling of “Arline.”

When Steve Whitmire started his blog, and I started commenting on it, I decided to go back to spelling my name “Arlene” for the purpose.  After all the joy he’s given me over the years as a Muppet performer, I wanted to make a gift of my true name to him.  Unfortunately, I didn’t take into consideration that I would also be making a gift of my true name to everyone else who reads it.  Oops.   Ultimately, I’m glad that I made Steve a gift of my true name, because it made it all the more special when he quoted a comment of mine in one of his blog posts. 😀

When I decided to start this blog, I decided–in the interest of consistency with my comments on Steve’s blog–to tie my true name to it instead of using my grandmother’s spelling, as I have done elsewhere on the Web.  Alas, when I was choosing a user name, I found that “maryarlene” was already taken, so I was forced to use “maryarline”.  *sigh*

Why a Muppet blog NOW?
With all the terrible things going on in the world, am I really worried about the integrity of a bunch of puppets?

Frankly, yes.  Let me explain:

In the first place,  I think what’s happening in the Muppet world right now is a sort of microcosm of what’s happening in the nation and the world at large.  I think the same forces that led to Steve Whitmire’s dismissal from the Muppets–corporate greed, lack of accountability, and victim-blaming propaganda–are the same forces have caused a lot of the problems going on in the larger world at the moment.

In the second place, what happens to the Muppets matters…because the Muppets are a force for good in the world, and I’m sure we can all agree the world needs all the forces for good that it can get.  Jim Henson once identified one of his business objectives as “work for [the] common good of all mankind.”  Even Fraggle Rock, that cute little TV show for kids, that delightfully silly, lighthearted, whimsical, colorful, musical romp, was created for the express purpose of bringing about world peace.  Jim Henson never did anything without a larger and more meaningful purpose behind it, and that purpose is still meaningful today–arguably more so than ever.

In the third place, none of us can vanquish all the evils in this world singlehandedly; if we try, we just tire ourselves out.  We each have to pick our battles.  We each need to go where we can do the most good.  We each need to invest our talents where they will be the most useful and produce the best return.

In Steve Whitmire, I see a good man who has been the victim of a grave injustice.  While he should be praised and honored for taking a principled stance and speaking out against a corrupt corporation, he has instead been bullied, harassed, and unjustly persecuted.  When I look at the Muppet community as a whole, I see an alarming number of his so-called “fans” turning against him while people who really ought to know better turn a blind eye and a deaf ear.  

I can’t cure all the ills of this world singlehandedly, but I can make my stand alongside someone whom I respect and admire, and raise my voice in the cause of justice and integrity.  And by standing up for justice and integrity in this one specific circumstance, I will help to advance the cause of justice and integrity globally.

And if all that fails, at least I can share some fun Muppet videos, and we can all have a good laugh.