Welcome back to 60 for 60, a yearlong celebration of Steve Whitmire and his work in anticipation of his 60th birthday later this year. This month we celebrate Steve’s work as Beaker, specifically in the viral videos that the Muppets made for YouTube.Despite the fact that Beaker is one of my favorite Muppets, I originally hadn’t included him in this project, for reasons that seemed to make sense at the time but that I can no longer remember. Then I watched the viral videos in which he features again and realized what a travesty it was to leave them out, because each of them is completely brilliant, and it’s some of the best and most Muppety content the Muppets have put out in the last 30 years. By all accounts, Steve had a lot of input into the creation of the viral videos, which means that he gets a lot of the credit for their quality and success.
Welcome back to 60 for 60, a yearlong celebration of the work of Steve Whitmire in anticipation of his upcoming 60th birthday. This month we celebrate Steve’s work as the most famous and beloved amphibian in the entire world: Kermit the Frog.My feelings about Kermit have been raw lately, and it’s hard to know what to say about him. Instead of thinking of something original, let me fall back on my words from 2013:
“[Kermit] is everything I want to be: funny without being mean, smart without being overbearing, and although he sometimes loses his temper, he never says an unkind word. He’s been involved in show business for almost 60 years now, with his integrity still intact. He’s been everywhere and seen everything, and yet he’s never become cynical, never lost his faith in humanity, and always finds something positive to say about everyone. He’s a prince among frogs AND men.”
— The Muppet Mindset’s “Great Muppet Survey,” published June 3, 2013
Welcome back to 60 for 60, a yearlong celebration of the work of Steve Whitmire in anticipation of his 60th birthday coming up in September. This month is a bit of a departure; instead of a post focusing entirely on a major character, this one features two relatively minor characters of Steve’s: Bean Bunny and Lips.
I’ve been trying to feature Steve’s characters in rough chronological order of when he started playing them. (Thus far they’ve all been original characters of Steve’s but that will change in the near future.) I’m changing up the pattern slightly because Lips was introduced in 1980 and Bean Bunny was introduced six years later, but in the late ’80s, Bean Bunny was a more prominent character, so therefore he figures more prevalently here.
Though relatively minor characters, Bean Bunny and Lips are each awesome in their own ways. Lips is a literal rock star with a cool hairdo and an air of mystery about him, while Bean Bunny is an adorable badass pacifist.
If I tried, I could probably find enough clips to devote one month each to Lips and Bean Bunny, but there are a lot more characters to get to and only six months left in this project (not counting the culmination in September).
Sometimes I see photos that people have posted on Twitter, and they’ll remind me of a Muppet song, so I make a joke about it. It’s happened three times now, which I think qualifies as a running gag, so I’d like to share my immense cleverness with you nice folks over here:
Welcome to the first 60 for 60 entry of 2019! For those just joining us, this is a year-long celebration of the work of Steve Whitmire in anticipation of his 60th birthday later this year. This month is devoted to Sprocket, the dog that Steve played on Fraggle Rock. Interestingly enough, it fits in well with something Steve said in the interview I posted yesterday about making a puppet believable by mimicking the movements of real-life creatures, be they animal or human.
I made a point of including Sprocket in this project because it’s very easy for me to forget that he’s a not real dog, and that is thanks to Steve’s talent and commitment. I said once that Big Bird is miraculous in his mundanity; Sprocket is even more mundane which, arguably, makes him even more miraculous.
That being the case, it’s hard for me to think of things to say about him in the following clips apart from things like, “Wow, he’s just like a real dog! Oh, he’s so doglike!” Nevertheless, if you’ll bear with me, I’m willing to make the effort.
Gigantic thanks to reader and commenter Sidney who alerted me to the existence of this newly posted interview that Steve gave at Louisville Supercon in either late November or early December. It made my day. Pretty much my whole week, really:
For months (and this isn’t a criticism, just a statement of fact), Steve has been talking in the vaguest of terms about new characters he’s been developing, and now we finally have something more specific. Apparently he made a new character debut in Louisville. Someone commented upon it on Instagram, but I didn’t mention it at the time because I didn’t know any specifics.
In June 2017, The Muppet Mindset published questions for the “ALL NEW Great Muppet Survey,” an updated version of their previous “Great Muppet Survey,” which I had filled out in 2013 and revisited in 2018. They published two sets of responses to the “ALL NEW Great Muppet Survey” but have never mentioned it since, as far as I can tell. This was approximately a month before they, along with ToughPigs, broke the news of the Schism, but whether they abandoned the project as a direct result of the world turning upside down and sideways, I do not know.
I recently discovered the “ALL NEW” survey questions and thought, “I have access to these questions and I have a blog; why don’t I just answer the questions on my blog instead of submitting them and waiting to see when and if somebody else decides to publish them?” So that’s what I’m doing. Thanks to Jarrod Fairclough for the questions, and I hope you don’t mind me taking matters into my own hands.
Well, it’s day 9 of the 12 Days of Muppet Christmas. I’ve put it off as long as I can, but it’s time to address the elephant in the room: the character of Belle, Scrooge’s one-time fianceé whom he meets again as one of the shadows shown him by the Ghost of Christmas Past.
In Muppet Christmas Carol, Belle sings a dull, depressing song. In Christmas Carol ’99, Belle does no singing at all, dull or otherwise.
Advantage: Christmas Carol ’99
Well, that was easy!
Depending on the interpretation, Scrooge’s nephew Fred can either be the most admirable character in the story or an even more despicable character than Scrooge. Find out how on this, the eighth day of the 12 Days of Muppet Christmas.
One small but significant difference right off the bat between Muppet Christmas Carol and the 1999 TV movie starring Patrick Stewart is that Christmas Carol ’99 includes Fred’s backstory: he’s the son of Scrooge’s deceased sister (called Fran in Christmas Carol ’99, although the original story has her name as “Fan”). In MCC, Fred is also Scrooge’s nephew, but no mention is made of his parents one way or the other. This is similar to the approach taken in “Mickey’s Christmas Carol” (the first “Christmas Carol” adaptation I ever saw and the one by which I judge all others, for better or worse), and perhaps that’s not surprising because nephewism is prominent in both franchises. (Which is fine, by the way; if our choices are nephewism and “cross-promoting,” I’ll take nephewism any day.)
Day seven of the 12 days of Muppet Christmas is Kid-Appeal Character Day with a look at the small but significant character of Tiny Tim as portrayed in Muppet Christmas Carol and the 1999 TV movie starring Patrick Stewart.
At the present time, it is day 5 of the 12 days of Muppet Christmas, and the time is ripe to consider the Ghost of Christmas Present as he appeared in The Muppet Christmas Carol as well as Christmas Carol ’99.
Ghost of Christmas Present
As a non-Muppet, but no less beloved, pair of amphibians once sang, Merry Almost Christmas! And welcome back to 60 for 60, my yearlong tribute to Steve Whitmire in anticipation of his 60th birthday next year. In keeping with the season, the theme for this month is Christmas productions.
I first saw Muppet Christmas Carol in December 1993 when we got the VHS as a Christmas present. Suffice it to say, the initial impression it left on me was not favorable. In fact, it was so unfavorable that it was approximately 20 years before I could watch it again.
This is the story of Little Shop of Horrors and how I went from being a traumatized child to an enthusiastic fan to an eager participant in a stage production thereof. It is also the story of how my younger brother and I each ended up participating in separate, but related, productions of it.
So Kermit has been working the talk show circuit promoting his bizarre, random part in the upcoming Wizard of Oz pantomime in Los Angeles happening this month. (Which, by the way, does sound like a lot of fun. I would go see it if I had any way of getting to Los Angeles). One stop he made was on the Late Late Show with James Corden, which I didn’t watch because I don’t stay up that late late anymore:
I liked the whole “Man or Muppet” bit, I very much enjoyed Matt’s money note, and I’m just thankful Kermit’s little microphone didn’t smack anybody in the eye (as far as we know) when it went flying at the end.
I could do more in-depth analysis about it, but honestly, at this point I’m basically just saying…it is what it is. I can accept this iteration as Kermit, but he’s not “my” Kermit. I can enjoy what he’s doing, but I can’t emotionally invest in him.
And that could very well change. I have keep reminding myself that it took me six years to fully embrace Steve’s Kermit, and Matt has only been doing it for just over a year.
I’m just grateful that they didn’t sing “Rainbow Connection.” Kermit did sing “Rainbow Connection” on The Talk with his panto co-star Marissa Jaret Winokur. There was no warning, so I didn’t have time to prepare mentally, but I curbed my kneejerk reaction to leap from the couch and turn off the TV, so that’s something, I guess. And it was fine. It was a perfectly lovely performance, and it brought back fond memories of seeing Winokur perform in Hairspray when I was in college. So I’m pretty okay with the whole situation. It’s not bad, it’s not good…but it is what it is.
But now to the real reason I wanted to bring up this appearance on the Late Late Show. I wanted to make a comment about one of the interview segments, and it actually has nothing to do with Kermit at all. It has to do with the closed captions:
At the beginning of this segment Minka Kelly (whoever she is) is talking about her background working as a scrub nurse. Turn on the closed captioning during that part; it’s hilarious. “Craniotomy” becomes “crane yot me” and “hysterectomy” becomes (and this is epic) “‘histoires d’hiver’ recht me,” or…removal of French winter stories, I guess? It reminds me of the time I spent editing speech recognition documents as a medical transcriptionist.
And now you all know what that’s like. You’re welcome. 😉