Brian Henson: An Amateur Behavioral Analysis

“[Steve Whitmire]’s capable of very deep performances. The falling out between me and Steve is really about business ethics. Working with him on set was always good.”

Brian Henson, quoted in a retrospective on the Muppet Christmas Carol in The Big Issue

So … it recently came to my attention that, since completely trashing him to the Hollywood Reporter five years ago, Brian Henson has since said some things about Steve that could be interpreted as nice. Most of them aren’t as inherently contradictory as the quote above and seem to be pure, unmixed compliments. 

I found out about this because a reader used them as examples to support the case that I was being too harsh towards Brian. At my request, the reader was kind enough to provide some links to videos of Brian making these compliments, and I am very grateful.

I didn’t expect the clips to change my opinion of Brian, and they haven’t. Without an apology for the things he said in 2017, anything complimentary that Brian has to say about Steve now only shows him to be inconsistent and untrustworthy. And as the above quote shows, he doesn’t seem to have any regrets about trashing Steve back then, or scruples about taking digs at him now. 

The reason that I was so excited to see these clips is because it gives me an opportunity to make an attempt at reading Brian’s body language. Approximately six months ago, I started becoming interested in body language and behavioral analysis from watching the Behavioral Arts channel on YouTube.

Despite the clickbait-y titles that he uses on his videos, Spidey makes a point of emphasizing in all of them that body language analysis is an inexact science, that certain behaviors can mean different things in different contexts, and that body language is open to interpretation. 

I echo Spidey’s caveats and add one of my own: I do NOT claim to be an expert in body language analysis after watching these videos for six months. Spidey had to study this for decades to get to be an expert; I still have a LOT to learn. I reiterate: I do not claim ANY expertise in behavioral analysis. If an actual body language expert wants to come tell me that I am way off base, reading things into Brian’s behavior that aren’t actually there, I will defer to their expertise (after I verify their credentials, of course). 

Nevertheless, even to a relative neophyte at behavioral analysis, Brian’s body language when he talks about Steve suggests some VERY interesting things. 

I have here three video clips of Brian: one from 2018, one from 2020, and one from 2022. As you watch them, pay particular attention to Brian’s face as he mentions Steve’s name; something about his expression changes every time. 

Before I give you the actual links, I want to point something out: In each case, I’m linking closely to the relevant part of the video, but I’m also making a point of giving a little bit of context at the beginning. An important part of behavioral analysis is establishing a baseline of behavior for the individual because it’s the deviations from baseline that are significant. 

Okay, here goes: 

2022 D23 Expo — Muppet Christmas Carol Panel:

 

2018 — Evolution of Puppetry: 

 

2020 George Lucas Talk Show — Muppets Tonight Watch-Along: 

Did you see it? If not, try watching them again. I’ll give you a hint: Look particularly at his eyes. 

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Why I’m Afraid To Watch the New Fraggle Rock

I know, of course, that now that “Fraggle Rock”: Back to the Rock is available, I shouldn’t talk about it without watching it first. But I’m afraid.

I’m afraid that talking about it without having watched it will be hypocritical, and that talking about something about which I do not have firsthand knowledge will make me look stupid. But if I try to watch it, I’m afraid I won’t be able to be objective because almost everything that I’ve found out about it makes me so angry.

I make it a point not to review things that I haven’t seen. So what follows is not a review. I am not making value judgments about what other people do or do not enjoy, nor am I making recommendations about what other people should or should not watch. What follows is merely a subjective account of the feelings I have from the above trailer, reviews, etc. To reiterate, I am NOT saying that other people should not watch the series or judging people who choose to do so. I’m just trying to explain why I feel that I CAN’T watch it.

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5 Muppet Songs More Overplayed Than “Rainbow Connection”

“Don’t you like music?” Franz asked. “No,” said Sabina, and then added, “though in a different era…” She was thinking of the days of Johann Sebastian Bach, when music was like a rose blooming on a boundless snow-covered plain of silence. 

Milan Kundera, The Unbearable Lightness of Being

“Rainbow Connection” is the greatest song from one of the greatest Muppet productions ever made. Because of its popularity, there are a lot of different versions of it, and this is a good thing because it means that everyone can pick the version that best suits their preference.

However, many members of the Muppet fan conglomerate think it gets played too often, and it makes them mad as hell. If they had their way, “Rainbow Connection” would get locked in a vault and only taken out every 15 years or so, like a lot of other Disney content.

And although I take verbal jabs at them for what I consider to be their misplaced vehemence over something that is relatively inconsequential, I have to admit that I sort of understand where they’re coming from. “Rainbow Connection” is a beautiful song, but there are other absolutely lovely Muppet songs, and it might be nice if some of them had more exposure.

And while I don’t get tired of “Rainbow Connection” itself, there are some versions of it that I like much better than others. For example, while I have listened to Matt Vogel sing it a few times, I am convinced that I could live out the rest of my life quite happily without hearing it him sing it again because I know now that he will never be Kermit to me. That sounds like a critique of his performance, and to some extent it is, but to a greater extent, it is a deliberate decision on my part. But that’s a topic for another time.

But I don’t get tired of the song itself. Ever. At least, I haven’t yet, and it’s been decades since I first heard it, so if it was going to happen, you’d think it would have occurred by now. Nevertheless, there are songs, including Muppet songs, that I DO get tired of hearing. In my opinion, the following Muppet songs are much more deserving of the fandom’s contempt due to overexposure than “Rainbow Connection.”

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Fraggle’s Original Sin

“I had a professor one time […] and he said, ‘You know, Fred, there’s one thing that evil cannot stand, and that is forgiveness.'” 
                   —Fred Rogers (my emphasis)

Dear John Tartaglia,

I first want to congratulate you on the recent Fraggle Rock short-form series that you and your colleagues created in response to the pandemic. Fraggle Rock is exactly the right content for this peculiar moment in history, and I appreciate you bringing it back into the public consciousness. Because re-imaginings of existing properties tend toward self-parody, I initially had some misgivings about it, but the new Fraggle content mostly seems organic and consistent with what came before.

Nevertheless, there is one aspect of the whole endeavor that rings false for me. I have heard you invoke the Trash Heap from the last episode of Fraggle Rock when she tells the Fraggles, “You cannot leave the magic.” Even if that is true, it appears that someone can be barred from the magic pre-emptively. I refer, of course, to Steve Whitmire.

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Some Thoughts on the Short-Form Fraggle Rock Series

Back in the spring, the Henson Company released the clunkily titled short-form series “Fraggle Rock: Rock On!” I reviewed the first episode and didn’t expect to watch any more, but someone kept posting bootleg copies on the Cave-In Discord server. Curiosity got the best of me, and since each episode is less than 10 minutes long, I thought, “What the hey?” and watched them all.

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Cave-In Episode 11: Pasture-ized

I just realized that I haven’t posted anything here since the last Cave-In, at least not on the main page. Where did this month go? Straight to hell, if there’s any justice. Although one could say that this month WAS hell, and that’s a valid argument, too. It’s just a good thing that Weldon taught us all coping strategies last month, because boy, do we need them. 

Fortunately, this was a really fun episode that provided a welcome respite. The premise sounds vaguely familiar to us Muppet Pundit veterans. Coincidence? I think not. (I don’t KNOW, but I THINK not.)

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Muppet Guys Talking Livestream Event Honoring Jim Henson

I’m sure I don’t have to tell you that this Saturday, May 16th, marks the 30th anniversary of Jim Henson’s death. To commemorate the occasion, the four surviving performers involved in Muppet Guys Talking are holding a livestreaming event at 4:00 p.m. ET that afternoon.

You can register for free by clicking the following link:

http://www.MuppetGuysTalking.com/jim

Once you register, you will also have the opportunity to submit questions, which I presume they will make an effort to answer during the conversation.

According to the confirmation email, those who register will receive a special viewing link via email the day before. It also says that it will be available for replay to those who register, regardless of whether or not you view the original livestream.

Registration is free, but the registration page also says that the livestream will be a COVID-19 fundraiser. Not sure how that’s supposed to work, but I guess we’ll find out on Saturday.

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Fraggle Friday: New Series, Mixed Feelings

About a month ago now, I guess, a new short-form series featuring the Fraggle Rock characters was announced. Redundantly titled Fraggle Rock: Rock On!, it premiered its first five-minute episode three weeks ago. Premise: the Fraggle Five use new radish-based technology in the form of “Doozer tubes” to communicate with each other, and with Traveling Matt, remotely.

Before the series premiered, I had mixed feelings about it. On the one hand, Fraggle Rock is precisely the right content for this peculiar moment in history because it’s all about meeting adversity with courage, compassion, and yes, even joy. On the other hand, one of the most wonderful things about the original Fraggle Rock is that it’s almost completely timeless. If they make a new, obliquely topical Fraggle Rock series, I wondered to myself, isn’t it going to lose that timeless quality?

Obviously, from a practical, Doylist perspective, I completely understand the need for the puppeteers to work distantly from one another. But from a Watsonian view, why would the Fraggles have to be in isolation? Wouldn’t you think that living underground would be an effective quarantine?

Then, of course, there was the big question: What of Wembley?

I watched the first episode online, and it answered a lot of my questions and alleviated some of my misgivings. But only some.

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Your Favorite Jim Henson Moments?

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I had so much fun doing 60 for 60 last year for Steve’s birthday that I’ve been toying with the idea of doing something similar in honor of Jim Henson—who was, after all, the founder of the feast. The year 2020 not only marks the 30th anniversary of Jim Henson’s death (as unbelievable as that seems), but it also would have been his 84th birthday. Now, 84 is not a milestone the way we usually think of it, but it is divisible by 12. So in theory, I could do what I did for 60 in 60, only with seven pieces a month instead of five. 

Nevertheless, it’s a daunting prospect. Jim was so prolific that even with an extra two pieces a month, it would be difficult to cover everything. I could make an entire year-long tribute out of Sesame Street clips alone. Also, so much of his career happened before I was born, and there’s a lot of material that I have never even seen. 

I haven’t decided yet if this is an idea I will follow through on, but it got me wondering: What are your favorite Jim Henson moments, friends? What are the songs and skits that make you laugh or cry? What would you cite to represent the best of him and his work? Why do you gravitate toward the productions that you do? What about a specific work resonates with you?

Share your ideas in the comments, and please feel free to include video clips as well!

The Final Pieces to the Puzzle: Steve Whitmire’s OCon Q&A

I originally drafted this back in August but held off posting it in hopes that the OCon organizers would post video of the Q&A. They have yet to do so, but I revisited this entry and discovered that it is as complete as it can be under the circumstances, so I’m posting it now. 

When I first met Steve on that Sunday morning in Omaha Council Bluffs, one of the first things we talked about was the Q&A that he was scheduled to do at noon that day. I told him that I intended to take notes at the Q&A so I could write about it on my blog later. I also pointed out that I’d never really done anything like that before, so I wasn’t sure how it was going to go.

If I’d been more savvy and better organized, I would have tried to record it rather than taking notes. That way, even if I wasn’t able to post the video online, I would still have it as a reference and memory aid to help me write it.

Nevertheless, my notes of the Q&A probably would have been sufficient if I hadn’t spent the day at Steve’s booth and then devoted most of my mental energy towards remembering everything else that happened there. I should have reviewed my notes a few times in the immediate aftermath to encode those memories properly. Alas, I did not.

All of which is just to say that even with the benefit of notes, my memory of the Q&A is woefully incomplete. There are multiple phrases included in them that I have no idea what they mean. So unfortunately, (and ironically) my account of the Q&A is going to be less detailed than those of the rest of my day. I apologize. I’ll know better next time.

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Australian Bush Fire Relief

“In times of great peril and shared suffering, all of us should set aside our differences and reach out to one another in a spirit of love and understanding.”
                   –-Sprocket (Steve Whitmire) as interpreted by Doc (Gerry Parkes), Fraggle Rock, “Marooned” (written by David Young)

It may not be a shocking revelation to say that I have issues with the most popular Muppet fan sites. They also seem to have issues with me, and it’s a whole thing, and I don’t want to get into it right now. 

But the reason I bring it up at all is because I also believe very strongly that good deeds deserve recognition. At the moment, the two most prominent fan sites, Tough Pigs and The Muppet Mindset, are engaged in a fundraising campaign to support relief efforts in response to the devastating bush fires in Australia which, as I’m sure you already know, have killed so many animals, displaced so many people, and laid thousands of acres to waste. The fundraising effort is a worthwhile cause, and I am happy to support them in their noble endeavor. 

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Muppet Masters Q&A

Boy, did I discover an unexpected Christmas gift today! I was on YouTube, and one of the videos recommended to me was a Q&A from GalaxyCon Louisville back in November featuring Steve Whitmire and Kirk Thatcher:

It’s so great and entertaining and informative just in general, but here is what I particularly like about it: 

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Muppet Christmas Double Feature

Merry Christmas, all! By the time I post this, it will technically be Christmas Day, but in my mind, at least, it is still Christmas Eve. This evening I watched Christmas Eve on Sesame Street and “The Bells of Fraggle Rock” back to back. I decided to do that merely because I hadn’t watched either of them yet this season, but in the process I found that they are more closely related thematically than I ever realized, and probably more so than anyone involved intended. 

I have some deep thoughts about that, and I’d like to share them, but it’s really late right now (or early, depending on your point of view), and I am tired. So I’d just like to observe that if Cantus had been on Sesame Street while Big Bird was having his crisis of faith, he probably could have explained to Big Bird how Santa gets down the chimneys. 

However, knowing Cantus, he probably would have done so in an oblique, metaphorical way that would probably just have confused and frustrated Big Bird, so he probably would have ended up on the roof anyway. 

Nevertheless, that’s a scene that I wish existed, because I would love to see it. 

Sixty for 60: Culmination

60 for 60 collage

(Please enjoy this photo collage. I worked on it for the better part of an hour before trying to upload it, but my initial attempt was unsuccessful because the file size was too big. Apologies to those whose photos I’ve co-opted.)

Happy 60th birthday, Steve Whitmire! And welcome, everyone, to the final installment of 60 for 60. Every month for a year I’ve been celebrating Steve and this milestone by posting five examples of his work per month (mostly in the form of videos, but not exclusively) and making commentary about it. At this point, I’d like to take a look back of the year and choose the best from each month for a “Best of the Best” feature.

(As always, “best” in this case is subjective.)

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Semi-miked StocktonCon Q&A Panel

The interesting thing about searching for comic con panel discussions is that you don’t always find exactly what you asked for, but sometimes you find things that you would never have thought to look for specifically. 

I checked YouTube today to see if there were any panels from DragonCon available yet. It may be too early for that since it was just this weekend. I didn’t find any new DragonCon content, but I did find a panel from StocktonCon Steve did…*checks*…a month ago already! Wow…

Word of warning before I post it: Like at OCon, Steve and the moderator were miked, but the audience questions weren’t. Why? I have no idea. It seems like a no-brainer to me, but what do I know?

One thing I want to specifically point out about this panel is that Steve talks in glowing terms about Kermit’s interview with Ellen Degeneres. That is also a favorite appearance of mine, and it was surprising to me at the time that Ellen and Kermit had never met before. That, too, seemed like a no-brainer. I really wanted to work that interview into 60 for 60, but the only place I could have worked it in was during the Kermit month, and I opted for the backstage interview instead. If I have a regret about how it turned out, that may be it. 

In the meantime, I’m waiting quite impatiently to see if OCon is going to post video of Steve’s Q&A panel. I asked them via Twitter if we could expect it, but I haven’t received a response. Neither my notes nor my memory are really adequate to talk about it, but if I had the video with the notes to supplement it, I think I could recreate it for you with a reasonable degree of accuracy.