I don’t really know what to say about this episode, other than that I can’t think of a better way for Weldon to celebrate the one-year anniversary of Cave-In. I’m especially happy about outcome of the Gimme Award. I still think there should have been another category specifically for musical numbers, but maybe that’s something to save for next year.
My purpose in posting this is to wish my youngest nephew a happy birthday. He’s a leapling, so today he turns 12 on what is technically only his third birthday.
Nice of the Muppets to make a birthday video for him, even if they didn’t realize that’s what they were doing.
“In times of great peril and shared suffering, all of us should set aside our differences and reach out to one another in a spirit of love and understanding.”
–-Sprocket (Steve Whitmire) as interpreted by Doc (Gerry Parkes), Fraggle Rock, “Marooned” (written by David Young)
It may not be a shocking revelation to say that I have issues with the most popular Muppet fan sites. They also seem to have issues with me, and it’s a whole thing, and I don’t want to get into it right now.
But the reason I bring it up at all is because I also believe very strongly that good deeds deserve recognition. At the moment, the two most prominent fan sites, Tough Pigs and The Muppet Mindset, are engaged in a fundraising campaign to support relief efforts in response to the devastating bush fires in Australia which, as I’m sure you already know, have killed so many animals, displaced so many people, and laid thousands of acres to waste. The fundraising effort is a worthwhile cause, and I am happy to support them in their noble endeavor.
(Although I’m only finishing and publishing this now, I started drafting it well before the sad tidings of Caroll Spinney’s death. So if it seems inappropriately light-hearted in tone, that’s why.)
George Takei’s Q&A finished at about 1:00, and my brother Michael suggested that we find something to eat (“forage for food” were his exact words). I had been just about to make the same suggestion.
Like the Mid-America Center where OCon had been held, the Minneapolis Convention Center doesn’t allow outside food. Since it was cold and snowy, and since we had parked several blocks away, and since I didn’t have an extra $5 to check my coat again, there was nothing for it but to purchase overpriced lunch items from one of the several concession stands spread throughout the center. In addition to his wrap, Michael purchased a cookie and offered me half, and it reminded me of my favorite Cookie Monster sketch on Sesame Street:
After we finished eating lunch, Michael wanted to look around the vendors’ area, so we did, and I found that the vendors, though equally polite, weren’t as aggressive as they had been at OCon, meaning that we could pause by their tables without having to listen to pitches, which was a relief.
As we were walking around, we ran into three people that Michael knows in short succession. The first was a guy named Bruce (I think) who made a joke about Michael “dragging” me along to GalaxyCon, or words to that effect. I suppose I should have been annoyed by the implication that “gurls” don’t like nerdy stuff, but I just laughed and informed him, truthfully, that coming to GalaxyCon had been my idea in the first place. Michael tried to say that I was in a fandom, but at first he said that I had a fandom, and I wondered if that might actually be true from a certain point of view. I ultimately decided that it would be most accurate to say that I am in a fandom and within that fandom, I have a following. (And thanks for that, by the way!)
This is Steve’s Q&A from GalaxyCon Minneapolis, but I wasn’t there that day so I only saw it for the first time yesterday.
On November 10th, I attended GalaxyCon Minneapolis and met up with Steve again. The only reason I was able to do that is because of my brother Michael. He lives in Minneapolis and allowed me to stay with him while I was in town. If I had had to pay the price of admission plus accommodations, I would never have been able to go. I also would have paid for parking because I wouldn’t have known there was another option.
When I initially planned to go to GalaxyCon, I thought that I would simply ask Michael if I could stay with him while I was in town. But then I thought about it, and I realized that although he’s not obsessive about Muppets the way I am, he still likes them. Not only that, but he’s an enormous Star Trek fan, and there were a bunch of Star Trek actors appearing. So I thought he might enjoy coming along, and that it might be more fun if he was there, so I invited him, and I was right on both counts. Not only that, but I don’t think I would have even made it into the exhibition hall to see Steve if Michael hadn’t been there to interpret the maps of the convention center for me and lead me in the right direction.
My point is that I have Michael to thank for the entire GalaxyCon experience, and if you enjoy what I have to say about it, then you owe him your gratitude as well. (If you don’t enjoy it, well, then leave him out of it because he had nothing to do with that.)
I imagine that you heard about the crowdfunding campaign a couple months ago for life-size Cookie Monster replicas:
Theoretically, I would love a life-size Cookie Monster replica in my home. Of course I would: I’m human, I have a pulse, and I love Muppets. Nevertheless, the campaign made me very uncomfortable right from the start for a number of reasons:
- I resented the implication that all Muppet fans have an extra $300 lying around to spend on a glorified plush toy when I am still struggling to pay the bills on a month-to-month basis.
- I don’t understand the point of crowdfunding for a multibillion-dollar corporation like Hasbro. Seems to me that they’re trying to take advantage of a current fad for the purposes of manipulating potential customers. They kept saying things like, “We can’t manufacture these things without your help!” That is nonsense; Hasbro is a conglomerate that buys up other companies like Milton Bradley, Parker Brothers, and Kenner. It brings in more than $5 billion in revenue. If they really wanted to manufacture life-sized Cookie Monster replicas, they could do so. They just didn’t want to until they were sure that people would buy them.
- Eventually, I did the math and figured out that, in attempting to convince at least 3,000 people to contribute approximately $300, their funding goal was nearly $900,000.
Almost a million dollars for a glorified plush toy that most people would probably have fun posing for about five minutes, then place in a corner to collect dust. And yes, Sesame Workshop would see a portion of that (I was unable to determine a specific percentage despite my research efforts), but wouldn’t it be so much better for Sesame Workshop to receive the full $900,000 in direct donations?
At a time when refugee children are dying in what are essentially concentration camps on American soil, when hurricanes are battering our coastlines and tornadoes are ripping through our communities (MY community in particular), when ICE raids are tearing families apart, spending $300 on a plush toy, even one as awesome as a life-sized Cookie Monster, not only seems frivolous, it seems downright irresponsible.
For better or worse, however, the campaign failed to receive the necessary number of backers, which is sad in that it means that Sesame Workshop won’t get its cut.
Presumably, however, it also means that everyone who pledged now has an extra $300 burning a hole in their pockets. May I suggest some worthy causes to which you can now put that money and do some good in the world?
- Sesame Workshop/Yellow Feather Fund
- American Red Cross
- Hispanic Federation
- American Civil Liberties Union
- Save the Children
There are many more worthy causes out there, and I’m sure they would be happy to receive your donation of $300, or more (or less, if needs be), regardless of whether or not you pledged to the Hasbro campaign.
And I’m sure the Monster himself would agree, that’s something to give up Cookie for.
I should also mention that that’s not a photo I took; it’s a screengrab from the Keloland website.
Also, my milkweed plants will come back next year, so no lasting damage to my property that I am aware of. At first it looked like my milkweed plants were just broken, but now it looks like at least some of them have been pulled up by the roots, so I don’t know if they will survive to come back next year. I guess that’s all the more reason to keep trying to plant more.
If the pattern holds true, it looks like the full video of Steve’s OCon Q&A may be going up within a few weeks. I don’t know for sure that that is the case, but they have full panels from last year that went up in early September, so that’s reason to hope.
Because my memories of the Q&A are so sketchy, even with my notes, I’m going to hold off publishing my impressions of it for now.
To tide us all over in the meantime, I found this highlight reel of the days’ events. A few moments of Steve’s Q&A, sans audio, are shown at about 43 seconds in:
I looked to see if I could see myself in the background of any of these clips, but I didn’t, not at the Q&A or in any of the other footage.
When Steve introduced his new character Weldon at the Louisville Supercon about four months ago, apparently they promoted it with a Facebook post including a picture. It appears to be the same picture that Steve showed in his Milo Beasley Show interview and mentioned that it had been artificially darkened, but it at least gives us an idea.
Here it is, for those who are curious:
Thanks to readers and commenters Sidney, who first alerted me to the existence of this post, and Andrew K, who posted a link to it that was accessible to me. Let’s all keep our eyes out, and hopefully we’ll get to see him in action soon!
Usually WordPress doesn’t inform me what search terms people use to find my blog via search engines. Sometimes it does, however, and more than once people have found my site using the keywords “steve whitmire blog”.
While I’m happy to get the attention, I can only assume that those people are pretty disappointed to find out that this is not, in fact, Steve Whitmire’s blog, even though he figures prominently on it. So here’s my attempt to help those people out:
Thank you for visiting my blog, and I’m sorry to tell you that it is not exactly what you’re looking for. I am a supporter and fan of Steve Whitmire, but I am not affiliated with him despite a very slight internet acquaintanceship.
This is the story of Little Shop of Horrors and how I went from being a traumatized child to an enthusiastic fan to an eager participant in a stage production thereof. It is also the story of how my younger brother and I each ended up participating in separate, but related, productions of it.
So Kermit has been working the talk show circuit promoting his bizarre, random part in the upcoming Wizard of Oz pantomime in Los Angeles happening this month. (Which, by the way, does sound like a lot of fun. I would go see it if I had any way of getting to Los Angeles). One stop he made was on the Late Late Show with James Corden, which I didn’t watch because I don’t stay up that late late anymore:
I liked the whole “Man or Muppet” bit, I very much enjoyed Matt’s money note, and I’m just thankful Kermit’s little microphone didn’t smack anybody in the eye (as far as we know) when it went flying at the end.
I could do more in-depth analysis about it, but honestly, at this point I’m basically just saying…it is what it is. I can accept this iteration as Kermit, but he’s not “my” Kermit. I can enjoy what he’s doing, but I can’t emotionally invest in him.
And that could very well change. I have keep reminding myself that it took me six years to fully embrace Steve’s Kermit, and Matt has only been doing it for just over a year.
I’m just grateful that they didn’t sing “Rainbow Connection.” Kermit did sing “Rainbow Connection” on The Talk with his panto co-star Marissa Jaret Winokur. There was no warning, so I didn’t have time to prepare mentally, but I curbed my kneejerk reaction to leap from the couch and turn off the TV, so that’s something, I guess. And it was fine. It was a perfectly lovely performance, and it brought back fond memories of seeing Winokur perform in Hairspray when I was in college. So I’m pretty okay with the whole situation. It’s not bad, it’s not good…but it is what it is.
But now to the real reason I wanted to bring up this appearance on the Late Late Show. I wanted to make a comment about one of the interview segments, and it actually has nothing to do with Kermit at all. It has to do with the closed captions:
At the beginning of this segment Minka Kelly (whoever she is) is talking about her background working as a scrub nurse. Turn on the closed captioning during that part; it’s hilarious. “Craniotomy” becomes “crane yot me” and “hysterectomy” becomes (and this is epic) “‘histoires d’hiver’ recht me,” or…removal of French winter stories, I guess? It reminds me of the time I spent editing speech recognition documents as a medical transcriptionist.
And now you all know what that’s like. You’re welcome. 😉
For those who may be concerned, the above video is 100% free of silly string.
Among people who know me well, I’m not known for having a very generous attitude toward blue humor. As a matter of fact, if you were to ask the people I went to high school with, most of them would probably say I was something of a prude. (They might not actually use the word “prude,” but they would say something to that effect.) And my poor, patient younger brother could attest to the number of times he’s shown me an R-rated movie that he really likes, hoping that we could enjoy it together, only to have me watch it like a deer in headlights, and sometimes get on my high horse about it after the fact.
All of which is just to help you to understand where I’m coming from when I say that I saw Happytime Murders recently and actually really loved it.