Sixty for 60: Kermit the Frog

Welcome back to 60 for 60, a yearlong celebration of the work of Steve Whitmire in anticipation of his upcoming 60th birthday. This month we celebrate Steve’s work as the most famous and beloved amphibian in the entire world: Kermit the Frog.

“The fact that Steve was there, and that he had the ability to do this [i.e., perform Kermit], was really quite an incredible stroke of luck.” –Dave Goelz

My feelings about Kermit have been raw lately, and it’s hard to know what to say about him. Instead of thinking of something original, let me fall back on my words from 2013:

“[Kermit] is everything I want to be: funny without being mean, smart without being overbearing, and although he sometimes loses his temper, he never says an unkind word. He’s been involved in show business for almost 60 years now, with his integrity still intact. He’s been everywhere and seen everything, and yet he’s never become cynical, never lost his faith in humanity, and always finds something positive to say about everyone. He’s a prince among frogs AND men.”
           — The Muppet Mindset’s “Great Muppet Survey,” published June 3, 2013

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Back to Louisville: Another Steve Whitmire Comic-Con Panel

Approximately two months ago (wow, really?), I posted an interview that Steve gave at the Supercon in Louisville around the end of November, I believe. This week (well, technically last week) I received notification of video of a panel discussion from the same event. 

Couple of noteworthy things about it: 

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Muppet Heresy: The Many Facets of Kermit

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If there’s one thing that Muppet fans agree on, it’s that there are variations to Kermit’s behavior/personality. Many see the differences as a negative and attribute them to the change(s) in performer. Both Steve Whitmire and the writers are frequent targets of this criticism, with fans on forums claiming that the writers and Steve alike have been too “precious” about Kermit, resulting in Kermit’s having become too soft, too bland, or too nice. I understand what they mean, and I understand that “precious” is meant to be a pejorative in this case, but personally, I think that being “too precious” with Kermit and the other Muppets is vastly preferable than treating them like old socks that can be tossed around willy-nilly, as Disney is doing now.*

However, I get the impression (and this is pure conjecture on my part) that Steve had been hearing criticisms in this vein for years and years. No more than one day before Cheryl Henson infamously weaponized the criticisms against him in a Facebook post (which, in her defense, was apparently intended to be private), he made the following statement in a blog entry“[T]here is actually no such thing as Jim’s Kermit and Steve’s Kermit – There is only Kermit.”

In my opinion, the whole issue is a lot more complex than anyone, perhaps even Steve, is willing and/or able to fully acknowledge.

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“Actual Footage”

Sometimes I see photos that people have posted on Twitter, and they’ll remind me of a Muppet song, so I make a joke about it. It’s happened three times now, which I think qualifies as a running gag, so I’d like to share my immense cleverness with you nice folks over here:

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Steve Whitmire Talks New Characters, Big Cats, and More

Gigantic thanks to reader and commenter Sidney who alerted me to the existence of this newly posted interview that Steve gave at Louisville Supercon in either late November or early December. It made my day. Pretty much my whole week, really:

For months (and this isn’t a criticism, just a statement of fact), Steve has been talking in the vaguest of terms about new characters he’s been developing, and now we finally have something more specific. Apparently he made a new character debut in Louisville. Someone commented upon it on Instagram, but I didn’t mention it at the time because I didn’t know any specifics.

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Search Engine Assistance

Usually WordPress doesn’t inform me what search terms people use to find my blog via search engines. Sometimes it does, however, and more than once people have found my site using the keywords “steve whitmire blog”.

While I’m happy to get the attention, I can only assume that those people are pretty disappointed to find out that this is not, in fact, Steve Whitmire’s blog, even though he figures prominently on it. So here’s my attempt to help those people out: 

Thank you for visiting my blog, and I’m sorry to tell you that it is not exactly what you’re looking for. I am a supporter and fan of Steve Whitmire, but I am not affiliated with him despite a very slight internet acquaintanceship. 

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Muppet Mindset’s “ALL NEW Great Muppet Survey”: My Responses

In June 2017, The Muppet Mindset published questions for the “ALL NEW Great Muppet Survey,” an updated version of their previous “Great Muppet Survey,” which I had filled out in 2013 and revisited in 2018. They published two sets of responses to the “ALL NEW Great Muppet Survey” but have never mentioned it since, as far as I can tell. This was approximately a month before they, along with ToughPigs, broke the news of the Schism, but whether they abandoned the project as a direct result of the world turning upside down and sideways, I do not know. 

I recently discovered the “ALL NEW” survey questions and thought, “I have access to these questions and I have a blog; why don’t I just answer the questions on my blog instead of submitting them and waiting to see when and if somebody else decides to publish them?” So that’s what I’m doing. Thanks to Jarrod Fairclough for the questions, and I hope you don’t mind me taking matters into my own hands. 

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Twelve Days of Muppet Christmas Carol: Bob Cratchit

On this, the second day of my 12-day quest to discover how The Muppet Christmas Carol measures up to my favorite non-Muppet version, the 1999 TV movie starring Patrick Stewart, I take a look at Scrooge’s employee and foil, Bob Cratchit.

Bob Cratchit

Cratchit&rats

Kermit the Frog (Steve Whitmire) as Bob Cratchit in Muppet Christmas Carol

Image result for 1999 bob cratchit "christmas carol"

Richard E. Grant as Bob Cratchit in Christmas Carol ’99

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Sixty for 60: Christmas Productions

“Bless us all, that as we live / We always comfort and forgive”–The Crachit family, singing lyrics by Paul Williams in The Muppet Christmas Carol

As a non-Muppet, but no less beloved, pair of amphibians once sang, Merry Almost Christmas! And welcome back to 60 for 60, my yearlong tribute to Steve Whitmire in anticipation of his 60th birthday next year. In keeping with the season, the theme for this month is Christmas productions.

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Muppet Heresy: “When Love Is Gone” Represents Everything I Don’t Like About Muppet Christmas Carol

 

When love is gone

Why do you delight in torturing us?…JUST GO ALREADY!!!

 

I first saw Muppet Christmas Carol in December 1993 when we got the VHS as a Christmas present. Suffice it to say, the initial impression it left on me was not favorable. In fact, it was so unfavorable that it was approximately 20 years before I could watch it again.

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Side Effects May Include…

So Kermit has been working the talk show circuit promoting his bizarre, random part in the upcoming Wizard of Oz pantomime in Los Angeles happening this month. (Which, by the way, does sound like a lot of fun. I would go see it if I had any way of getting to Los Angeles). One stop he made was on the Late Late Show with James Corden, which I didn’t watch because I don’t stay up that late late anymore:

I liked the whole “Man or Muppet” bit, I very much enjoyed Matt’s money note, and I’m just thankful Kermit’s little microphone didn’t smack anybody in the eye (as far as we know) when it went flying at the end.

I could do more in-depth analysis about it, but honestly, at this point I’m basically just saying…it is what it is. I can accept this iteration as Kermit, but he’s not “my” Kermit. I can enjoy what he’s doing, but I can’t emotionally invest in him. 

And that could very well change. I have keep reminding myself that it took me six years to fully embrace Steve’s Kermit, and Matt has only been doing it for just over a year.

I’m just grateful that they didn’t sing “Rainbow Connection.” Kermit did sing “Rainbow Connection” on The Talk with his panto co-star Marissa Jaret Winokur. There was no warning, so I didn’t have time to prepare mentally, but I curbed my kneejerk reaction to leap from the couch and turn off the TV, so that’s something, I guess. And it was fine. It was a perfectly lovely performance, and it brought back fond memories of seeing Winokur perform in Hairspray when I was in college. So I’m pretty okay with the whole situation. It’s not bad, it’s not good…but it is what it is.

But now to the real reason I wanted to bring up this appearance on the Late Late Show. I wanted to make a comment about one of the interview segments, and it actually has nothing to do with Kermit at all. It has to do with the closed captions:

At the beginning of this segment Minka Kelly (whoever she is) is talking about her background working as a scrub nurse. Turn on the closed captioning during that part; it’s hilarious. “Craniotomy” becomes “crane yot me” and “hysterectomy” becomes (and this is epic) “‘histoires d’hiver’ recht me,” or…removal of French winter stories, I guess? It reminds me of the time I spent editing speech recognition documents as a medical transcriptionist.

And now you all know what that’s like. You’re welcome. 😉

Remiss

Bon soir, mes amis! I’ve been very busy working in advance of the upcoming holiday. When you write for a living, it’s kind of hard to keep up a blog in your free time.

I’ve been remiss in not sharing this interview I found recently of Steve from all the way back during the Niagara Falls Comic Con in June:

At three minutes long, it’s a tasty morsel. Enjoy!

“Long Story Short, Too Late”: Steve Whitmire at Raleigh Supercon

When Steve appeared at the Florida Supercon, I received a Google alert regarding video of a Q&A that he did there. Since Raleigh Supercon is run by the same organization, I was expecting another Google alert regarding Steve’s appearance(s) that weekend.

Unfortunately, that Google alert never came, but over the weekend, as I was watching some of his other comic con appearances, YouTube noticed and helpfully suggested this video of a Q&A out of Raleigh as something I might like. I had been looking for something like this through most of the month of August, but apparently it hadn’t been uploaded until the middle of September. 

The same moderator from the Florida Supercon is back again, although he only interviews Steve for about 10 minutes before opening it up for questions, approximately half the time that he spent on the interview portion at Florida Supercon.

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Muppets Meet the Classics: Fairy Tales From the Brothers Grimm…A Mini-Review

Remember my review of Phantom of the Opera, the first book in the Muppets Meet the Classics series? Two weeks ago, I received a comment on the review from Erik Forrest Jackson, the author of the book. This was both very flattering and very nerve-wracking: I never expected the author of the book to actually read my review; if I had, I would have tried to be a bit more diplomatic about what I didn’t like about it. But his comment was very kind, and he thanked me for the thoughtful review.

The next book in the series is to be released today. Because I was expecting another novel, I was surprised to find out that the next book in the series is Fairy Tales from the Brothers Grimm. If I’m being completely honest, I’m also slightly–just slightly–disappointed, if only because the Muppets have drawn so frequently from the fairy-tale well in the past.

Then again, probably the reason why the Muppets so often adapt fairy tales is that the content works so well for them. Also, based on the sample chapter that has been released–“The Frog Prince,” one of the most well-known and successful of the Muppet fairy tale adaptations–it looks as though Jackson is able to put a new spin on even the stories that the Muppets have adapted before. 

(Warning: Spoilers below)

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Torchbearers Redux

I have some more thoughts that I edited out of my post from yesterday on the grounds that it was still supposed to be a post for Matt’s birthday, and I felt some of what I wanted to say wasn’t necessarily very sensitive. Maybe it would have been okay, but I wanted to err on the side of caution.

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