In case you missed it, last weekend I attended GalaxyCon Minneapolis and had another conversation with Steve. It was sort of a two-part conversation, actually, because I talked to him in the morning and then again in the afternoon. Thus, I thought I would write about it in two blog posts as well.
I’m in the process of writing those now, and the first part, detailing our conversation of the morning, is nearing completion. However, the thought occurred to me that I might not be able to publish the second part, detailing our conversation of the afternoon, until after the next episode of Cave-In occurs. Since our conversation of the afternoon included intel on what is coming in future episodes, I thought I would provide a brief preview now.
Today is the 50th anniversary of Sesame Street! HBO, where it airs primarily now (and has for several years), put together a video in which an interviewer asks the Sesame Street Muppets about their favorite memories. It’s quite cute and clever:
Couple of things I noticed about it:
Elmo does not appear in this video at all. And granted, I’m a grumpy Gen X-er who doesn’t have much use for Elmo in the first place, but I find that I didn’t miss him in the slightest or even notice his absence at first.
There are only three characters in this video still performed by their original puppeteers: Abby, Rudy, and Rosita. That’s just an observation, not a value judgment of any kind.
Whatever my mixed feelings may be about Peter Linz playing Ernie, I have to say that whoever’s writing Bert and Ernie’s banter nowadays is spot-on. Absolutely brilliant and perfect.
High definition hasn’t done Big Bird any favors in one important respect. The monofilament that connects his arms used to be all but invisible, but now it’s plain as day. It’s a shame, because it makes Big Bird seem slightly less magical as a result.
However, I love that they revisited the idea of Big Bird being an artist.
At first it seemed too easy to have Abby’s favorite Sesame Street memory be the day she moved there, but the payoff was worth it.
Oscar’s interactions with Slimey have always been one of my favorite things about Sesame Street.
I don’t watch Sesame Street regularly, so I haven’t seen much with Rudy, but from what I have seen of him, I like him very much.
I love that some of the Muppets are wearing microphones during their interviews. That’s one of my favorite Muppet gags ever.
At first I wondered why Steve didn’t post his “Stranger Things” parody online before the episode in which it premiered. Apparently, it was so that Weldon could have a conversation with some of the young actors from the show itself in conjunction with the parody.
I don’t watch the show because I don’t have Netflix, so I don’t know anything about the kids, but they seem perfectly pleasant, and it’s really cool to see Weldon sharing the screen with the people that he’s interacting with.
Like I said, I don’t watch the show, so what I know about it, I’ve learned through cultural osmosis. But I think “Stronger Thongs” is really good wordplay. That could have been the whole parody for me, and I would have been satisfied. But then the Demi-gorgonzola shows up, which is not only good wordplay but a really cool-ass puppet to boot.
Anyway, apparently today is “#StrangerThingsDay,” so I thought I would post this since I’ve been meaning to do so anyway.
Oh, one thing I forgot to mention is that the text at the end doesn’t match what Weldon is actually saying, which is hilarious. That gives everyone an idea of what it’s like to edit speech recognition documents, so thanks for that, Weldon!
I left a question for Weldon on Discord about his favorite song, which included a veiled Sesame Street reference. I expected that he would respond with a veiled Sesame Street reference, and we would all chuckle knowingly.
As you probably already know, what actually happened waseven more interesting. He recommended this song to me:
It’s not my taste in music, but nevertheless, I’m so glad that this is a thing that exists, and I’m glad that I now know it exists.
As I was listening to it, I felt it was appropriate to the season. If I ever hosted a haunted house, I think I would just play this song on a continuous loop.
I was going to call it “my” episode of Cave-In, but when I think about it, I’m not sure I want to claim the whole thing. My bit starts at six minutes in.
So, some observations:
Calling in and talking to Weldon was actually a lot more fun than watching/listening to myself talk to Weldon.
After three days, I only remembered about 25% of what I said to him, if that. I guess I was just really in the moment.
I’ve often heard puppeteers say that they feel less inhibited performing puppet characters, but I was surprised to find out that the opposite is also true. Obviously I’ve met Steve, but I don’t know him THAT well, and having admired him from a distance for so long, there are things that I would feel awkward talking to him about, yet I think I would feel more comfortable saying them to Weldon.
Weldon speaks the truth about pumpkin spice. I’m glad someone finally decided to stand up and tell it like it is.
You know, I knew I had a habit of nervous giggling, but boy, I sure do giggle a lot when I’m nervous.
I haven’t watched the whole thing again yet because I have other things to do, but it does appear to have been edited a little, which is good. Thank you, Weldon (and Steve)!
For the record, I want to say that I do like weddings. There is, however, a tiny portion of me that feels bitter and resentful about other people’s happiness, so I magnified that for comedic purposes.
So, you may have heard as it was happening, but I finally got to talk to Weldon on Cave-In. And I even got to be the first caller. Woo, go me!
I was nervous beforehand, and then the delay in the live-stream threw me off a lot, so I kind of forgot everything I was going to say at first. Guacamole brain strikes again!
It was fun, but now it’s kind of a blur, so I’m looking forward to getting to watch it again. But I just thought that if you wanted to talk to me about it, I’d give you the opportunity.
I’m really kind of desperate to talk to Weldon. The first time I couldn’t because I didn’t have a microphone for my computer. Then I bought a microphone but couldn’t figure out how to make it work in time. I thought it was a software issue, but it turned out to be a hardware issue. Once I figured it out, it was easy to correct, but unfortunately, that wasn’t until after the show was over.
Hopefully this will be my month! I just have to remember the time difference: 10/25 at 9:25 for me.
Puppet Tears is a very cool podcast that interviews puppeteers from all walks of life, asking very in-depth and intelligent questions. Today they’ve released a nearly two-hour conversation with Steve:
From what they’ve released previously, it looks like they’re going to approach the “controversial” topics from a mature, objective, and responsible point of view, which I’m very pleased to see. It’s recently come to my attention that, unfortunately, there are still a lot of unfounded rumors and misinformation about Steve festering in the dark corners of the internet, so my hope is that this will be an opportunity to bring the truth to light and clear the air.
Here’s the thing, though: I CAN’T WATCH IT NOW!!! 😦 I’ve got a ton of work that I need to get through before the end of the day today, and if I start watching it now, I know I’m not going to be able to stop.
So watch and enjoy, but please don’t spoil it for me, and maybe we can talk about it later.
I’ve seen it now, and I’m interested to hear what you think. In general terms, I find it to be a breath of fresh air.
Is it redundant of me to keep posting whenever there’s going to be a new Cave-In? I feel like maybe all of you can just follow Steve on Instagram yourselves, and then you will find out at the same time I do.
On the other hand, I feel obliged to do my part to get the word out, since the mainstream fan sites have not taken an interest.
Anyway, I figure if I’m going to post about it, I’d better hurry up and do it. Sorry for the delay; I’ve been preoccupied with other things. Maybe you’ll get to hear about them if you tune in tomorrow.
Today, of course, is not only Steve Whitmire’s birthday, it is also Jim Henson’s birthday.
I was thinking about what I wanted to do to mark the occasion of what is apparently known on Twitter as “#JimHensonDay,” and I wasn’t sure what I could say that I haven’t already said.
Then I started to think about all the ways that Jim Henson and his characters have burrowed their way deep into my subconscious, to the point where certain words or phrases will always evoke knee-jerk Muppet references from me.
It’s a topic that I’ve mentioned occasionally but never explored at length, so it seems as good a way as any to celebrate #JimHensonDay.
(Please enjoy this photo collage. I worked on it for the better part of an hour before trying to upload it, but my initial attempt was unsuccessful because the file size was too big. Apologies to those whose photos I’ve co-opted.)
Happy 60th birthday, Steve Whitmire! And welcome, everyone, to the final installment of 60 for 60. Every month for a year I’ve been celebrating Steve and this milestone by posting five examples of his work per month (mostly in the form of videos, but not exclusively) and making commentary about it. At this point, I’d like to take a look back of the year and choose the best from each month for a “Best of the Best” feature.
There’s a new Muppet in town. His name is Joe the Legal Weasel, he is performed by the fantastically talented Peter Linz, and he appears about 20 seconds into this video:
I love the idea behind Joe the Legal Weasel. He seems to be a way of poking fun at the folks running Disney without them necessarily realizing that they’re being skewered from within, which is exactly what the Muppets should be doing.
Nevertheless, this particular sketch leaves me cold. And I’m not entirely sure why.
I imagine that you heard about the crowdfunding campaign a couple months ago for life-size Cookie Monster replicas:
This Just In: You can get your very own COOKIE MONSTER REPLICA, thanks to Hasbro's HasLab! Back the campaign and tell your friends to do the same, and we'll all get to own a life-size, fully poseable Cookie Monster (with working googly eyes, of course)!https://t.co/NenzCRiorApic.twitter.com/9Vpwx4kFBt
— ToughPigs: Muppet Fans Who Grew Up (@ToughPigs) July 11, 2019
We've secretly been working with @ToughPigs and toy company @Hasbro to bring you a full size Cookie Monster Photo Puppet Replica, available for pre-order today!https://t.co/UD5TrYTTrE
Theoretically, I would love a life-size Cookie Monster replica in my home. Of course I would: I’m human, I have a pulse, and I love Muppets. Nevertheless, the campaign made me very uncomfortable right from the start for a number of reasons:
I resented the implication that all Muppet fans have an extra $300 lying around to spend on a glorified plush toy when I am still struggling to pay the bills on a month-to-month basis.
I don’t understand the point of crowdfunding for a multibillion-dollar corporation like Hasbro. Seems to me that they’re trying to take advantage of a current fad for the purposes of manipulating potential customers. They kept saying things like, “We can’t manufacture these things without your help!” That is nonsense; Hasbro is a conglomerate that buys up other companies like Milton Bradley, Parker Brothers, and Kenner. It brings in more than $5 billion in revenue. If they really wanted to manufacture life-sized Cookie Monster replicas, they could do so. They just didn’t want to until they were sure that people would buy them.
Eventually, I did the math and figured out that, in attempting to convince at least 3,000 people to contribute approximately $300, their funding goal was nearly $900,000.
Almost a million dollars for a glorified plush toy that most people would probably have fun posing for about five minutes, then place in a corner to collect dust. And yes, Sesame Workshop would see a portion of that (I was unable to determine a specific percentage despite my research efforts), but wouldn’t it be so much better for Sesame Workshop to receive the full $900,000 in direct donations?
At a time when refugee children are dying in what are essentially concentration camps on American soil, when hurricanes are battering our coastlines and tornadoes are ripping through our communities (MY communityin particular), when ICE raids are tearing families apart, spending $300 on a plush toy, even one as awesome as a life-sized Cookie Monster, not only seems frivolous, it seems downright irresponsible.
For better or worse, however, the campaign failed to receive the necessary number of backers, which is sad in that it means that Sesame Workshop won’t get its cut.
Presumably, however, it also means that everyone who pledged now has an extra $300 burning a hole in their pockets. May I suggest some worthy causes to which you can now put that money and do some good in the world?
There are many more worthy causes out there, and I’m sure they would be happy to receive your donation of $300, or more (or less, if needs be), regardless of whether or not you pledged to the Hasbro campaign.
As you know, my year-long 60 for 60 article series is coming to a close next week. I’ve really enjoyed putting it together, and during the process, I’ve discovered that an article series published in monthly increments is a schedule that works well for me. I have several ideas for article series that I would like to do, and now I’m trying to decide which I should do first.
I’d like to get your input, so here is a Twitter poll, and blog comments are more than welcome as well:
I've discovered through 60 for 60 that a long-term article series published on a monthly basis on my blog works well with my schedule, so I'd like to start on a new one next month. Which would you rather read first?
My preference would be to start with the Muppet movies because (a) it’s the 40th anniversary of the original movie and (b) I enjoy the movies infinitely more than the 2015 series.
But then I thought about it, and it occurred to me that if/when Muppets 2015 goes up on Disney+, the powers that be may take it down from the ABC site. I wouldn’t pay money for a Disney+ subscription even if I could, so there may be a window of opportunity to review the 2015 series again that could soon be closing. So I feel sort of obligated to do the 2015 series first even though I really don’t want to.
I won’t promise to abide by the prevailing opinion, but I would like to know what you think nevertheless. Please share.
Steve sat down at DragonCon with a guy named Crispy(?) for an interview. It’s a particularly good one, in my opinion. It must be the hometown advantage:
It’s really great to hear Steve be able to speak freely about Weldon and explain that whole concept.
