Season 5 is probably the best The Muppet Show has to offer. If the DVD releases had been based on merit rather than chronology, it should have been the first. Then everyone could enjoy it without having to offer up a pound of flesh to Disney per month in perpetuity.
It makes me a little sad that Henson and Co. stopped making The Muppet Show just as they got really good at it. Nevertheless, this season has its uncomfortable moments just as the other ones do. Furthermore, ceasing production on the Muppet Show freed them up to do Fraggle Rock. And as good as The Muppet Show can be at times, (the original) Fraggle Rock is infinitely better. Yeah, I said it, and I’ll stand by it.
I’m classifying The Muppet Show Season 5 episodes according to the same system that I used in mySeason 4 Viewing Guide:
However, because there are a couple of episodes not readily available for viewing, I’ve had to add a couple of special categories.
“Rainbow Connection” is the greatest song from one of the greatest Muppet productions ever made. Because of its popularity, there are a lot of different versions of it, and this is a good thing because it means that everyone can pick the version that best suits their preference.
However, many members of the Muppet fan conglomerate think it gets played too often, and it makes them mad as hell. If they had their way, “Rainbow Connection” would get locked in a vault and only taken out every 15 years or so, like a lot of other Disney content.
And although I take verbal jabs at them for what I consider to be their misplaced vehemence over something that is relatively inconsequential, I have to admit that I sort of understand where they’re coming from. “Rainbow Connection” is a beautiful song, but there are other absolutely lovely Muppet songs, and it might be nice if some of them had more exposure.
And while I don’t get tired of “Rainbow Connection” itself, there are some versions of it that I like much better than others. For example, while I have listened to Matt Vogel sing it a few times, I am convinced that I could live out the rest of my life quite happily without hearing it him sing it again because I know now that he will never be Kermit to me. That sounds like a critique of his performance, and to some extent it is, but to a greater extent, it is a deliberate decision on my part. But that’s a topic for another time.
But I don’t get tired of the song itself. Ever. At least, I haven’t yet, and it’s been decades since I first heard it, so if it was going to happen, you’d think it would have occurred by now. Nevertheless, there are songs, including Muppet songs, that I DO get tired of hearing. In my opinion, the following Muppet songs are much more deserving of the fandom’s contempt due to overexposure than “Rainbow Connection.”
Muppet Show episodes run the whole gamut, from the delightful to the disturbing. If you’re new to Seasons 4 and 5 like I am, you may wonder where each episode falls. TheDisney+ content warningshelp a little but don’t give you any specifics and are sometimes esoteric.
Back in the days before there were streaming services, or even video recorders, there wasn’t a way to skip over the parts of The Muppet Show that were less than stellar. You just had to sit through them and wait for the good stuff to come back.
Now, however, between DVDs, YouTube, and streaming, it’s easier to skip over the bad parts and enjoy the good parts. It’s just a matter of knowing what to expect and where to look. Well, I “took a chance on the crap” so you don’t have to, and I can tell you the highlights and the lowlights.
I’m organizing the episodes into four categories:
Delightful: Sit back and relax; you shouldn’t see anything offensive or objectionable in these episodes at all
Mostly Harmless: There are a few uncomfortable moments, but these episodes are enjoyable for the most part
Cringeworthy: There are a few bright spots, but these episodes are mostly dull or upsetting.
Horrific: These episodes are almost completely demoralizing. Even the few good numbers aren’t enough to save them. Skip the episodes altogether and look up the few good parts on YouTube instead.
Thank you for waiting for the culmination of this analysis. It’s tempting to say that it’s long overdue after I published thefirst part nearly two years ago. At the same time, however, I believe that things tend to happen when they are supposed to happen, and now seems like an opportune moment to revisit this important issue.
If you read my blog regularly, you know that I am not a fan of the Walt Disney Company, and I do not hesitate to call out its greedy or amoral behavior, especially when it has the potential to ruin individual lives or undermine our already fragile system of government. However, calling out bad behavior is only one side of the accountability coin. The other side is praising individuals or corporations when they do something good.
At first, when I heard that Dinosaurs was coming to Disney+, I wasn’t that excited because I didn’t intend to still be subscribed to it that that point. But now it appears that the only way to watch the last two seasons of TheMuppetShow may be on Disney+, so I’m going to hold out on cancelling my subscription until I’ve watched all the episodes I haven’t seen.
With the purported MuppetShow release still being several weeks away, I’ve been revisiting Dinosaurs. It’s been a real treat, first, to remember how much I loved it in the first place and, second, to get all the jokes that went over my head when I watched it as a kid during its original run.
I recently found a YouTube video about the “Top 10 Dinosaurs Episodes” and was surprised to find that only one of them was one that I find particularly memorable and enjoyable (and one is an episode that I actively dislike after watching it again with the benefit of an adult perspective). So I decided to write my own post about my favorite Dinosaurs episodes. Between the time that the original run ended and the series’ streaming release, I haven’t seen much of it since. Therefore, my list is limited to five favorites. These are not all the episodes that I find memorable, but the memories I have of these episodes give me the most enjoyment.
Today would have been Jim Henson’s 84th birthday. I’ve been thinking for six months to a year how I wanted to mark the occasion.
Occasionally, I reference things that I’ve seen on YouTube but can no longer find, only to run across them later. This is an appearance that Jim made on the Tonight Show with Johnny Carson in 1975 to promote the Muppet Show “Sex and Violence” special, although it’s interesting that Johnny only refers to it as “The Muppet Show.” Maybe the rest of the title wouldn’t have flown on network TV, even late night.
When I saw this clip before, it was only the Kermit bit. It was remarkable to me in that it was the grumpiest I had ever seen Kermit, and I think it still is. I had never seen the Dr. Teeth interview before. It’s fascinating to see him make a solo appearance without the rest of the Electric Mayhem. It’s incredible how real and alive he is even though the bottom part of his body is absent. It’s revealing to see how Jim pulls his mouth into a grin while performing him.
There was another clip that I referenced once without being able to find it, then rediscovered it again, only to lose track of it once more. It’s the pitch reel for the Jim Henson Hour. I’m disappointed not to be able to feature it here, but maybe I will run across it again someday.
I’m sure I don’t have to tell you that this Saturday, May 16th, marks the 30th anniversary of Jim Henson’s death. To commemorate the occasion, the four surviving performers involved in Muppet Guys Talking are holding a livestreaming event at 4:00 p.m. ET that afternoon.
You can register for free by clicking the following link:
Once you register, you will also have the opportunity to submit questions, which I presume they will make an effort to answer during the conversation.
According to the confirmation email, those who register will receive a special viewing link via email the day before. It also says that it will be available for replay to those who register, regardless of whether or not you view the original livestream.
Registration is free, but the registration page also says that the livestream will be a COVID-19 fundraiser. Not sure how that’s supposed to work, but I guess we’ll find out on Saturday.
I had so much fun doing 60 for 60 last year for Steve’s birthday that I’ve been toying with the idea of doing something similar in honor of Jim Henson—who was, after all, the founder of the feast. The year 2020 not only marks the 30th anniversary of Jim Henson’s death (as unbelievable as that seems), but it also would have been his 84th birthday. Now, 84 is not a milestone the way we usually think of it, but it is divisible by 12. So in theory, I could do what I did for 60 in 60, only with seven pieces a month instead of five.
Nevertheless, it’s a daunting prospect. Jim was so prolific that even with an extra two pieces a month, it would be difficult to cover everything. I could make an entire year-long tribute out of Sesame Street clips alone. Also, so much of his career happened before I was born, and there’s a lot of material that I have never even seen.
I haven’t decided yet if this is an idea I will follow through on, but it got me wondering: What are your favorite Jim Henson moments, friends? What are the songs and skits that make you laugh or cry? What would you cite to represent the best of him and his work? Why do you gravitate toward the productions that you do? What about a specific work resonates with you?
Share your ideas in the comments, and please feel free to include video clips as well!
I originally drafted this back in August but held off posting it in hopes that the OCon organizers would post video of the Q&A. They have yet to do so, but I revisited this entry and discovered that it is as complete as it can be under the circumstances, so I’m posting it now.
When I first met Steve on that Sunday morning in Omaha Council Bluffs, one of the first things we talked about was the Q&A that he was scheduled to do at noon that day. I told him that I intended to take notes at the Q&A so I could write about it on my blog later. I also pointed out that I’d never really done anything like that before, so I wasn’t sure how it was going to go.
If I’d been more savvy and better organized, I would have tried to record it rather than taking notes. That way, even if I wasn’t able to post the video online, I would still have it as a reference and memory aid to help me write it.
Nevertheless, my notes of the Q&A probably would have been sufficient if I hadn’t spent the day at Steve’s booth and then devoted most of my mental energy towards remembering everything else that happened there. I should have reviewed my notes a few times in the immediate aftermath to encode those memories properly. Alas, I did not.
All of which is just to say that even with the benefit of notes, my memory of the Q&A is woefully incomplete. There are multiple phrases included in them that I have no idea what they mean. So unfortunately, (and ironically) my account of the Q&A is going to be less detailed than those of the rest of my day. I apologize. I’ll know better next time.
The interesting thing about searching for comic con panel discussions is that you don’t always find exactly what you asked for, but sometimes you find things that you would never have thought to look for specifically.
I checked YouTube today to see if there were any panels from DragonCon available yet. It may be too early for that since it was just this weekend. I didn’t find any new DragonCon content, but I did find a panel from StocktonCon Steve did…*checks*…a month ago already! Wow…
Word of warning before I post it: Like at OCon, Steve and the moderator were miked, but the audience questions weren’t. Why? I have no idea. It seems like a no-brainer to me, but what do I know?
One thing I want to specifically point out about this panel is that Steve talks in glowing terms about Kermit’s interview with Ellen Degeneres. That is also a favorite appearance of mine, and it was surprising to me at the time that Ellen and Kermit had never met before. That, too, seemed like a no-brainer. I really wanted to work that interview into 60 for 60, but the only place I could have worked it in was during the Kermit month, and I opted for the backstage interview instead. If I have a regret about how it turned out, that may be it.
In the meantime, I’m waiting quite impatiently to see if OCon is going to post video of Steve’s Q&A panel. I asked them via Twitter if we could expect it, but I haven’t received a response. Neither my notes nor my memory are really adequate to talk about it, but if I had the video with the notes to supplement it, I think I could recreate it for you with a reasonable degree of accuracy.
Yesterday I mentioned the existence of full panels from last year’s OCon on YouTube, but what I failed to mention was that one of them featured Sesame Street actors Roscoe Orman (aka Gordon) and Alan Muraoka. I thought about it today and realized that might be of interest, so here it is:
Also, it appears from this that OCon just doesn’t provide microphones for audience questions at all, which seems to be very unusual. Nevertheless, given how hard it is to hear the audience questions on the video, it makes me very glad that I have notes of Steve’s Q&A, although it remains to be seen how helpful they will be.
Welcome back to 60 for 60, a year-long celebration of the work of Steve Whitmire in anticipation of his 60th birthday in a couple months. The theme for this month is interviews of Steve (not his characters), and it is unique in that not all five examples are available in video form. As a matter of fact, most of them are not.
(Technically not a picture of an interview, but one I happen to like.)
I planned out the themes for each installment of 60 for 60 ten months ago. At that time, of course, I had no idea that I would actually have met Steve by this time. A lot has changed since I planned out this project, and the plan for this month has changed more than any other in the interim as I re-evaluate interviews that I was going to use and new interviews emerge. But what hasn’t changed is my wish to celebrate Steve himself rather than just his characters, although they’re important too.
I’m not a Muppet performer, and I’m not really a puppeteer despite a brief amateur stint. So I can’t say that I really know what it’s like, but I imagine that it must be an interesting dichotomy. On the one hand, the anonymity that it affords you could be very valuable, but on the other hand, I can imagine that it would sometimes get frustrating to be part of something that is so popular and well known but only rarely get credit or recognition for it.
I took notes at the Q&A so I could talk about it in detail regardless of whether or not any video of it shows up online. I intend to do that in a separate post, but here I’d like to give just a brief overview and mention the parts that are relevant to the rest of my story.
Before I talk about Steve’s Q&A, I need to back up a bit to talk about one of his visitors from the morning. Imentioned her brieflyin one of my other posts. She was the lady who was part of her church’s puppet troupe, and she brought along a Whatnot for him to sign (one of those ones that Disney marketed and sold for a while). She was accompanied by two teenage kids, but of the three of them it was pretty clear that she was the one most excited to meet Steve (not that the teenagers were entirely disinterested). Her Whatnot was one that they allowed new puppeteers in their group to practice on and learn with, so Steve not only signed it across the back of its head, he also wrote a short message of encouragement.
The autographed Whatnot was one of several puppets present at the Q&A. Scrubby was there with Ethan, and the lady and the baby were there with their Wembley, and there was also a guy there with a Kermit. I’m not sure if it was a fan-made Kermit or a toy that he’d bought, but they appear briefly in the following video alongside Steve (and Mitzi):
The first day of your #OConExpo adventure is in the books! Share your photos! We'll see you all back Mid-America Center Saturday and Sunday!
This is Part 2 of a series of at least three. Click here for Part 1.
Steve’s booth was next to Gigi Edgley’s, who was also making an appearance at OCon. I had seen that that was the plan and wondered if that was going to be awkward, given her close association with Brian Henson. But I didn’t want to ask Steve if it was awkward, because I thought that that somehow might make it more awkward. However, Steve brought up the subject of her appearance, asking me if I was familiar with her work. I told him that I’d never seen Farscape but that I had watched Creature Shop Challenge. He said that he hadn’t met her before this convention and wasn’t familiar with her work, but that he’d gotten acquainted with her over the course of the convention.