I remember this sketch from my childhood. Apparently there was a series of these sketches about the American Revolution, but this is the only one I remember seeing back then.
Watching it as an adult, it took me a while to figure out that the point of it was not to give an accurate account of history but to illustrate the democratic process in a concrete, relatable way.
I recently wrotea piece about why I think voting is important, about how I didn’t vote in the 2000 election and why I’ve regretted it ever since. It has nothing to do with Muppets, but I think it’s important to share.
The “Not-Too-Late Show with Elmo” premieres May 27th on HBO’s streaming service. There’s a lot about it I don’t understand. Why is a 3-year-old hosting a talk show? Is this really happening, or is it supposed to be in Elmo’s imagination? What are the other Sesame Street characters going to get to do? Is there an educational objective of some sort, or is this just for fun?
It looks entertaining from the trailer, but then, so did “Elmo’s Play Date,” and we all rememberhow THAT turned out. It seems like it would be a lot more efficient just to make the main Sesame Street series fun and entertaining for all ages again, but that’s none of my business.
Today is the 50th anniversary of Sesame Street! HBO, where it airs primarily now (and has for several years), put together a video in which an interviewer asks the Sesame Street Muppets about their favorite memories. It’s quite cute and clever:
Couple of things I noticed about it:
Elmo does not appear in this video at all. And granted, I’m a grumpy Gen X-er who doesn’t have much use for Elmo in the first place, but I find that I didn’t miss him in the slightest or even notice his absence at first.
There are only three characters in this video still performed by their original puppeteers: Abby, Rudy, and Rosita. That’s just an observation, not a value judgment of any kind.
Whatever my mixed feelings may be about Peter Linz playing Ernie, I have to say that whoever’s writing Bert and Ernie’s banter nowadays is spot-on. Absolutely brilliant and perfect.
High definition hasn’t done Big Bird any favors in one important respect. The monofilament that connects his arms used to be all but invisible, but now it’s plain as day. It’s a shame, because it makes Big Bird seem slightly less magical as a result.
However, I love that they revisited the idea of Big Bird being an artist.
At first it seemed too easy to have Abby’s favorite Sesame Street memory be the day she moved there, but the payoff was worth it.
Oscar’s interactions with Slimey have always been one of my favorite things about Sesame Street.
I don’t watch Sesame Street regularly, so I haven’t seen much with Rudy, but from what I have seen of him, I like him very much.
I love that some of the Muppets are wearing microphones during their interviews. That’s one of my favorite Muppet gags ever.
Yesterday I mentioned the existence of full panels from last year’s OCon on YouTube, but what I failed to mention was that one of them featured Sesame Street actors Roscoe Orman (aka Gordon) and Alan Muraoka. I thought about it today and realized that might be of interest, so here it is:
Also, it appears from this that OCon just doesn’t provide microphones for audience questions at all, which seems to be very unusual. Nevertheless, given how hard it is to hear the audience questions on the video, it makes me very glad that I have notes of Steve’s Q&A, although it remains to be seen how helpful they will be.
I cannot tell you how delighted I am to see Herry Monster back on the Street again. Of all the Sesame Street monsters, Herry is probably my favorite.
I mean, I love Grover and Cookie Monster, of COURSE I do, and I also have a great deal of affection for the Two-Headed Monster and for Telly…but Herry is something really special to me.
I actually seem to remember being a little scared of Herry when I was quite young. It’s understandable, of course; he had that gruff voice and that gigantic eyebrow, and in the early days, Jim Henson et al. purposely invoked his intimidation factor, only to subvert in the punchline of some of the first inserts to feature Herry. Perhaps some of those early inserts were still in circulation in the early ’80s when I was watching as a very small child.
But no one could ever watch Herry’s interactions with John-John and remain afraid of him. I don’t specifically remember the first time I saw a Herry and John-John insert, but Herry has had a special place in my heart ever since.
Part Two of my two-part celebration of Mr. Caroll Spinney and his two most famous characters on the occasion of his retirement, in which I attempt to unravel the fascinating enigma that is Oscar the Grouch.
When I was a kid, I was confused by Oscar the Grouch. While I thought he was funny, I wasn’t quite sure what his purpose was, why there was a character on Sesame Street who was so rude all the time, or whether or not it was okay to laugh at him.
I was an adult before I realized that Oscar represents the dark side of the street. He’s the rain cloud that helps us appreciate the sunshine. He’s the pinch of salt that keeps all the sweetness on Sesame Street from becoming too saccharine.
This is Part One of a two-part series celebrating Caroll Spinney’s two most famous characters on the occasion of his retirement.
There’s something magical and miraculous about the mundanity of Big Bird. He does things that other birds do, such as eating birdseed and preening his feathers. He also does things that kids do, like roller skating or playing hide-and-seek.
Unlike most Muppets, there’s no need for Big Bird to hide behind a low wall or a counter or insidea giant bathtub. There are no telltale cables trailing off him, and he is unfettered by marionette strings and arm rods. Big Bird walks freely among us, as an equal.
I don’t think it’s a coincidence that there was a little boy born in Georgia on Jim Henson’s birthday in 1959, who loved Muppets so much that he was nicknamed “Kermit” in high school.
I don’t think it’s a coincidence that there was another little boy born in Kansas on this date in 1970 with a last name that means “bird” in German, who received prophetic Sesame Street toys as Christmas gifts.
And I don’t think it’s a coincidence that the great and good Caroll Spinney took each of them under his figurative wing and served as a mentor to them both.
Matt Vogel and Steve Whitmire were each born to be torchbearers, to keep the flame alive and to light the way for others.
I debated with myself about the appropriateness of talking about Steve on Matt’s birthday, but “Journey to Ernie,” the most prominent example of Matt playing Big Bird that I know of, also prominently features Steve, and that didn’t feel like a coincidence either, so I decided I had to honor it.
These “Journey to Ernie” segments, which teach the very important skill of deductive reasoning, are fairly clever and utterly delightful due to the talents of Matt, Steve, Joey Mazzarino and David Rudman as the Two-Headed Monster, unidentified voice actors and animators, and whoever was on right-handed Duckie duty.
September 24th is a significant date in Muppetdom. Most serious Muppet fans probably know that it’s Jim Henson’s birthday, and many know that it’s also Steve Whitmire’s birthday (which I celebrated onMonday). But there’s another reason why September 24th is significant that even the most dedicated Muppet fan may not be aware of: Jeff Moss passed away from cancer on September 24th, 1998. This year marks the 20th anniversary of his death.
I want to take a moment to reiterate my reader-response-informed theory of criticism: it is neither the creator of an artistic work nor the audience that confers meaning upon it; rather, meaning is created when the intention of the author meets the interpretation of the audience. This is not to say that the creator of a work cannot have his or her own interpretation of its meaning; rather, it means that the creator’s interpretation is not the “only” correct interpretation.
I bring this up again because the matter of Bert and Ernie’s sexuality became an issue again this week. I’ve written about this extensively elsewhere. I believe that, much like Batman in The Dark Knight, Bert, Ernie, and all the other Muppets are whatever each of us, as individual viewers, need them to be.
I really identify with Ernie in these sketches, not only because, if I have an interesting book, I can read in circumstances that other people would find too distracting, but because I sometimes don’t realize how annoying I can be to other people.
I wanted to post this video a few weeks (or possibly months) ago, but I couldn’t find it on YouTube. I tried searching for it by the name of the song, which was difficult because I didn’t know how to spell it. I’ve known this song for most of my life, but I’d never seen the title or the lyrics written out.
I was recently introduced to a Sesame song/skit that I didn’t remember seeing before, in which Cookie Monster and Herry find a letter M sitting around, (as you do), and sing a song about all the foods they like that start with M:
It reminded me of another beloved PBS puppet show that I remember fondly from my childhood, “The Letter People,” which was divided into 15-minute episodes and focused on phonics. Mr. M is featured in the first episode and sings his signature song, which also includes a litany of foods that start with the letter M, because Mr. M has a Munching Mouth, and that’s where he gets his sound:
Hmm…Cookie Monster also has a Munching Mouth. I wonder if he and Mr. M would be friends or if they wouldn’t get along because they’d be in competition with one another.
For whatever reason, Sesame Workshop chose to mark the occasion of the Fourth of July this year with a parody of NSYNC’s “Bye, Bye, Bye”:
Okay, so let’s just get this out of the way right off the bat: This video is not good. The reference is dated, it’s not close enough to the original to be readily recognizable, Ernie sounds like Walter in spots, and what the heck is up with the gratuitous autotune?
With that said, I’m glad that they did something that steered clear of frank patriotism because, as I have observed before, it is difficult to take pride in a country where children are being put in cages, and given Sesame’s mission and ethos, it would be disingenuous of them to do so.
I also enjoy Oscar’s contributions to the video because he’s basically saying out loud what I’m just thinking. And bless Matt Vogel’s heart, he’s in fine voice as the Count and really giving it his all. His level of commitment is admirable regardless of the overall end result.