Muppet Babies 2018 Review: Part 1

The original Muppet Babies series was not part of my childhood because it was on a channel that we didn’t get at my house.  However, as a teenager I had a steady babysitting job and I watched Muppet Babies with those kids a lot, so I’m passingly familiar with it.  And yet, that was twenty-some years ago, so it’s no longer in the forefront of my consciousness.

All of which is just to say that, as I review the new Muppet Babies series (or, at least, the two episodes of it that I’ve seen), I won’t be making comparisons with the original series because the original series is largely lost to me in the mists of memory.

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Eighth Day of Muppet Christmas: “Thankful Heart”

Happy New Year!  As I look back on 2017, it seems to me that: “It was the best of times, it was the worst of times.”  

Notwithstanding numerous references, however, The Muppets have yet to do an adaptation of A Tale of Two Cities, but we can acknowledge Mr. Dickens with another scene from Muppet Christmas Carol:

I would be remiss to post this video and not say a “thank you” or two…  

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Phantom of the Opera: Everything’s better with Muppets

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Faust, a five-act grand opera, is by Charles Gounod with a French libretto by Jules Barbier and Michel Carré.  It is loosely based on Faust, Part I, by Johann Wolfgang von Goethe.  Goethe’s lesser-known follow-up, 2 Faust 2 Furious, focused on a man who made a deal with the diesel.”

–Erik Forrest Jackson, pushing all my geeky English-major buttons in an explanatory footnote of Muppets Meet the Classics: The Phantom of the Opera

When I opened the book and saw that the epigraph was a quote from a renowned French philosopher and a line from an old infomercial, I knew I was going to like this book.

When I started laughing hysterically at the table of contents, I knew I was going to love this book.

When I finished reading it, I wanted to go back and read the original novel again to compare the two; the mark of a good book is that it makes you want to read more.

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“Carol of the Bells”

Okay, one thing you have to know about me: my taste in Christmas carols runs very traditional.  

I don’t mind pop singers singing pop songs in pop style, but when they start singing Christmas carols in pop style, it rubs me the wrong way.  (And some Christmas songs, like “Last Christmas,” need to be retired permanently.  Seriously.)

Tonight I was working at the store where I work part-time, and of course, ’tis the season when stores play Christmas music from morning to night; I heard a weird soul/R&B version of “Carol of the Bells.”  Let’s just say it was not to my taste.  Also, whoever was singing it left out some of the words, so some of the words didn’t fit with the music, which is a major pet peeve of mine.

So, to get the bad taste of that song out of my ears, here’s a good, Muppety version of “Carol of the Bells.”

“To do the right deed for the wrong reason”

“The last temptation is the greatest treason: 
To do the right deed for the wrong reason.”
–T.S. Eliot, Murder in the Cathedral

I have a confession to make: Kermit the Frog is more “real” to me than any of the other Muppets.  I remember when Jim Henson died, my first thought was not “What’s going to happen to the Muppets?” or “What’s going to happen with Sesame Street?” but “What’s going to happen to Kermit?”

So when news of the Schism broke, I was less concerned about Steve’s other characters than I was about Kermit.  But as I processed the news, I started worrying about Beaker.

Since Beaker doesn’t really talk, I feared that Disney would feel that it didn’t matter who performed him.  In fact, the opposite is true: a character who doesn’t talk needs a skilled, consistent performer who knows how to convey an idea nonverbally.

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