Performer as “parent”; character as “child”–an extended metaphor

“How many of you are parents? If you are, then in all likelihood, you view your children as your most important ‘creations’, your ultimate concern, your life’s work. It doesn’t matter how old they get, or if they are adopted, you’re still going to do all that you can to protect them forever, to give them a safe place to grow and be themselves. That’s how I view the Muppets.”
        –Steve Whitmire, “Acceptance, Fear & Hope” (August 1, 2017)

Even for those of us who aren’t parents, this lovely analogy from Steve offers us a lot of insight as to why he feels the way he does, why he’s made the choices that he has, and why he refuses to stop fighting.  Therefore, I think that it is worthwhile to dig into it a little, to try to unpack it and see what new understanding we can uncover.

Potentially the most damning allegation against Steve in this whole smear campaign is the claim that he “blackballed” puppeteers that auditioned with Disney when Disney wanted to cast multiple performers for singular Muppet characters.  Steve has addressed the issue on his blog and made it clear that, while he has been outspoken about character integrity and was one of the loudest critics of the “multicasting” initiative, he never had any authority when it comes to Disney’s hiring decisions…which makes sense, when you think about it, because if he did have that kind of power and authority, wouldn’t he have been able to, I don’t know…un-fire himself?

Nevertheless, it’s an idea that has gained some traction, and the people who want to discredit Steve just love to paint a lurid picture of Big Mean Stevie, throwing his weight around and acting too big for his britches, callously crushing the hopes of the innocent little puppeteers who dared to dream of working with the Muppets.  It’s an idea that’s so insidious, it has even planted some seeds of doubt in the minds of some of Steve’s staunchest supporters.

To be perfectly clear: I do NOT give any credence to these allegations of Steve blackballing fellow puppeteers.  But even if some inconvertible evidence were to come to light proving that he did so, I can see how he would feel justified in doing so.  When viewed through the prism of this parent/child metaphor, the alleged behavior that has been characterized as “blackballing” theoretically seems like a reasonable and responsible reaction.

Consider this scenario: let’s say that you are married with one or more children (if–like me–you are not, then just pretend).  And let us further assume that your in-laws are the interfering type, and so they get it into their heads to hire a babysitter for your kids–without your knowledge or consent.  So all of a sudden the doorbell rings and there’s the babysitter that your in-laws hired standing on the doorstep saying, “Hi, I’m here to take care of your kids!”  Would you welcome this babysitter into your home?  Would you entrust him or her with the care of your children?

Of course you wouldn’t.  You wouldn’t leave your children in the care of a total stranger.  Instead, you would ask the prospective babysitter to leave.  And it wouldn’t be a reflection on the babysitter herself (or himself); for all you know, the babysitter could be qualified and competent.  But you wouldn’t know, because you wouldn’t have been given the opportunity to vet the babysitter yourself.  To entrust the care of your children, in your home, to an untested stranger would be irresponsible parenting, if not outright negligence.

And if you are a nice person (and I assume that you probably are) you might well feel sorry for the babysitter, who was led to believe that he/she had a job lined up, only to have it fall through at the last minute, by no fault of his/her own, because someone who was not the parent of the child(ren) overstepped their boundaries.*  Still, in that case it would be the in-laws who misled the babysitter, made the babysitter promises that they couldn’t keep.  You couldn’t take the responsibility for their inappropriate actions.  And you certainly couldn’t potentially endanger the well-being of your children, and the sanctity of your home, just to spare the babysitter’s feelings.

Just to be perfectly clear, in the preceding analogy, Steve is the parent, the Muppets are the children, Disney/Muppets Studio are the meddling grandparents, and the aspiring puppeteers are the prospective babysitter.  The aspiring puppeteers may have felt ill-treated, and it is appropriate to feel sorry for them, but let us just keep in mind that it was Disney that falsely raised their expectations and made them promises that it couldn’t–or, at least, didn’t–keep.  

At this point, I’d just like to restate Steve’s thesis statement, putting it into my own words as I understand it: Steve sees his responsibility to the Muppets as  being comparable to that of a parent to his children, and even if some of his “children”–for example, Kermit and Beaker–are “adopted,” that doesn’t lessen his love and concern for them, and it certainly doesn’t lessen the responsibility that he feels toward them.

If that’s the case, then when Steve got the call from Disney last October saying that his puppeteering services would no longer be required, I imagine that it must have felt similar to being a parent and having Social Services just show up at your door one day–with no advance notice or warning, mind you–and announce that they had arrived to take your kids away.**

Imagine that you were a parent in that scenario.  Would you just give up?  Let it go?  Move on with your life?  Of course you wouldn’t!  You would speak up.  You would fight back against the injustice of it.  You would do everything you could think of to get your kids back, no matter what the cost.  Even if it were hopeless, you would have to explore every legal avenue and try everything that you possibly could…because you would know that if you didn’t, you would never be able to look yourself in the mirror again, and you would spend the rest of your life wondering if there was more that you could have done.  Most of all, you would do it because you would know that your children would be counting on you to do the best that you could for their sake.

Moreover, if you didn’t try–if you didn’t make an effort–if you just passively accepted the decision, wouldn’t that only go to support the original argument that you were an unfit parent, because you apparently didn’t care enough to fight back?

Now, instead of imagining that you’re the parent, imagine instead that you are acquainted with a parent in this situation.  And let’s assume, for the sake of argument, that you believe the allegations to be true, that you believe that the parent is unfit.  Would you say so to his face?  Would you tell him to give it up, let it go, move on with his life, stop digging himself in deeper?  Would you tell him that the kids are probably better off, and that he’s only hurting himself by prolonging the inevitable?

Assuming, as I have already done, that you are a nice person, I don’t think you would do any of those things.  Even if you believed those things, it would be unnecessarily cruel to say them to his face.

Would you talk about the beleaguered parent behind his back?   Would you post messages about him on a public Internet forum that, for all you know, he could very well be reading?  Would it make a difference if you knew, or suspected, that he was reading it?  That’s a trickier thing to answer; it’s a lot less cut-and-dried.  

As Muppet fans, I think we should be discussing this issue.  As I’ve said before, I started this blog in the interest of keeping the conversation going, to promote a dialogue in the interest of fostering understanding, rather than trying to sweep it under the rug.  Because, as my beloved Phil Dunphy points out on Modern Family, in that scenario, eventually you end up with a lumpy rug.

(“It becomes a tripping hazard…”)

 But at the same time, I think it is important to remember, first of all, that Steve is a part of our community; second–and most importantly–he is also a human being with feelings.  As a rule, I would never say or write or post anything about Steve that I would be ashamed to say to his face.  You never know what he might be reading, and when.

And by the way, that policy of not posting anything online that I wouldn’t say to Steve’s face goes for all the other players in this sad little drama as well.  Disney presents itself to the public as a monolith, and so that is how I treat it, but I do try to be mindful of the Hensons as human beings and try to be sensitive about their feelings with regards to their father and the pain they must still feel over losing him.  Nevertheless, I’m not going to afford them any special privileges on that account; I’m not going to hold back on calling them out on their hypocrisy in this matter just because they are Jim’s children.  Some people may think that I’ve been overly harsh or critical in that regard, but I stand by every syllable that I’ve put out there in regard to the Hensons.  They shouldn’t dish it out if they can’t take it.

If I regret anything that I’ve said about anyone in this scenario, it’s what I said about Matt Vogel after his Kermit video dropped.  In this whole extended metaphor of parents/children, I view Matt’s role as that of a “foster parent,” taking care of Kermit for an undetermined period of time in the hopes that his “adoptive father” (Steve) will someday be allowed by “Social Services” (Disney) to take custody of Kermit and his other “children” (Beaker, Rizzo, etc.) once again.

Ideally, that’s the goal of the foster care system.  In reality, of course, it rarely works out so neatly, and it seems unlikely to do so in this scenario either.  Especially since Disney, the analogue to Social Services in this scenario, is more like Judge Turpin and Beadle Bamford from Sweeney Todd than a modern-day social worker.

To those outside the Muppet fan community, and perhaps even to a few within it, it may seem overly precious or self-indulgent for a puppeteer to regard his characters as his “children.”  But Steve’s not the only one who has said something to that effect.  No less a personage than Mr. Caroll Spinney, performer of Big Bird and Oscar the Grouch on Sesame Street, has said on more than one occasion that he regards Big Bird as his child.

The documentary about Mr. Spinney, I Am Big Bird, tells a story about when the Big Bird puppet was vandalized.  The Sesame cast was on tour, they were rehearsing on a college campus and had the local ROTC contingent guard the unoccupied Big Bird puppet while they went out to lunch.  Whether the ROTC students were temporarily possessed by some destructive demon or they were just horrible people at baseline, I don’t know, but apparently they thought it would be neat to have some of Big Bird’s feathers as souvenirs.  And then, what might have seemed at first like a harmless prank escalated into something like a scene from Lord of the Flies.  They plucked one side of Big Bird bare, they tried to remove one of his eyes and, when they couldn’t do that, they left it “broken and hanging off.”  Then they apparently got bored of the brutality and left him lying on the ground.

Mr. Spinney describes the aftermath thus: “[Big Bird] was lying in the dirt, and I saw it and I burst into tears.  It was like seeing my child raped and thrown on the ground and destroyed.”

I think most feeling people, if they have any sort of connection to Sesame Street at all, would have been moved by the gruesomeness of this senseless brutality against Big Bird.  But as I have argued elsewhere, Kermit the Frog has recently suffered an act of cruelty and violation at the hands of Disney that is just as senseless and just as brutal.  However, since it involves injuries to the soul of the character instead of to the outward, physical manifestation of the character, I think it is harder for people to understand or to take as seriously as the concrete, observable reality of a vandalized puppet.

Let’s go back to our extended metaphor and carry it to the other logical extreme:  Have any of you ever had an elderly loved one suffer from dementia?  If you have, then you know how painful it is to watch as someone you love slowly loses himself (or herself) and everything that makes them who they are.  You know how disturbing it is to look into their eyes and see a stranger looking back at you.

That’s sort of how I view Kermit now, as someone that I love suffering from sudden-onset dementia.  Just like that, all of Kermit’s memories of the Muppet Show days, and especially his memories of working with Jim, are all second-hand.  Not only that, but his memories of everything that happened before the Muppet Show are now third-hand.

And at the risk of sounding like a scratched CD or a poorly buffered audio file (which I imagine are the 21st-century equivalents of a “broken record”), this is not, in any way, a criticism of Matt.  I’m sure Matt is well versed in Muppet lore at baseline and will do his due diligence to keep Kermit conversant in his own history.  Nevertheless, I fear that now, as Data says in the very best episode of Star Trek: The Next Generation, those memories will be “reduced to the mere facts of the events.  The substance, the flavor of the moment, could be lost.” 

The attitude that really infuriates me from other fans is the idea that Steve is somehow being selfish or self-serving by wanting to regain custody of his Muppet “children.”  To go back to the metaphor, any parent would try to get their kids back if they were taken away…and granted, some of them might do so for selfish reasons, but the overwhelming majority would do so out of concern for their children and a wish to protect them.  

Furthermore, if trying to exert authority as to how Kermit is handled by Disney makes one selfish, then Jim Henson–according to that logic–was the most selfish bastard ever to come down the pike.  Because, in the days of the original Disney deal, Jim wanted Kermit to have a separate, privileged status from the other Muppet characters.  As told by Brian Jay Jones in The Biography:

“While Jim was prepared to hand over all of the Muppets to Disney, he didn’t intend for Kermit to go with them unconditionally.  He was too important.  ‘Kermit should be treated in the negotiations as a separate issue,’ recommended a confidential Henson Associates memo.  ‘Since Kermit the Frog is so closely associated with Jim Henson, Jim must have control over the use of Kermit.’  For Disney, however, getting the Muppets without the free use of Kermit was like getting the cast of Peanuts without Snoopy.  For the moment, Kermit was in a kind of legal limbo as both sides tried to figure out, Solomon-like, how to split the million-dollar baby.” (page 446, emphasis in original)

No one would admit to it now, of course, because nobody wants to speak ill of the dead, but I’d be willing to bet that some of the people working on the Disney side of the deal thought that Jim was making “outrageous demands” and being “difficult to work with.”

It’s clear from Jane Henson’s words in 1990 that Jim intended Steve to be Kermit’s “guardian” in the event that something happened to him.  And regardless of what Brian Henson thinks about it now, he’s the one who appointed Steve as Kermit’s guardian after Jim passed away.  Based on what little evidence that Disney has offered as to Steve’s alleged “unfitness,” it looks to me that Steve was fired for doing exactly what Jim Henson intended and expected him to do: not only to keep Kermit alive, but to care for him and protect him, as any parent or guardian would.

 

____________________________
*This actually happened to me once when I was about 12 or 13.  It’s a long story, as so many of my stories seem to be.
**”Like in The Sims,” I was going to say, but even in the Sims games, they usually give you one warning before the social worker comes.

Sesame Saturday BONUS: “Little Butterfly Friend”

I’m not really a big fan of Elmo, but I am a big fan of monarch butterflies.  They’ve always been my favorites.

After I bought my house two years ago, I decided to plant milkweed in order to lure monarchs to my backyard.  Ironically, the milkweed that has done best in my yard is the milkweed that I didn’t actually plant myself.  Nevertheless, it WORKED!  I’ve had monarchs in my yard from time to time all summer long, and some of them even laid eggs on my milkweed!  🙂

This afternoon I went to a monarch tagging event at Good Earth State Park.  It was very educational but sort of a disappointment on the tagging front; they only had four butterflies to release, so the people who got to tag them were chosen by lottery.  Still, we all got to go outside and watch as they were released into the wild, which was an inspirational experience.

I also got a close look at a lot of little monarch chrysalides (that’s the correct plural of “chrysalis”).  They were exquisite.  It’s hard to believe that they are alive; they look like little jade baubles that were inlaid with gold by a master jeweler.  So often when you see a photograph of a monarch chrysalis, the picture is taken on high zoom, so you don’t get a sense of how tiny they really are.  Absolutely fascinating.

I didn’t take a long walk in the park today, but I saw a lot of other animals nevertheless: woodpeckers, goldfinches, hummingbirds (!!!), and some other birds that I couldn’t identify at the bird feeders, as well as a thirteen-striped ground squirrel (not at the bird feeders; on the ground, where it belonged).

I’m so lucky to live in South Dakota.  It is a natural wonderland.

Sesame Saturday: Ernie’s Word (and drum) Games

First, Bert and Ernie play a rhyming game:

This is probably a stupid question, but instead of Bert telling Ernie that he doesn’t want to play, why doesn’t he just stop talking?

For the longest time, I used to confuse the preceding clip with the following clip, in which Bert and Ernie play an “echo game” with the drums.  I was confused when I watched the rhyming game sketch as an adult and found no mention of “A Tale of Two Breakfasts”:

I’ve said before that Bert and Ernie remind me of myself and my older sister when we were young, but this is a sketch that I specifically remember re-creating with her when I was a kid.  She thought it was really funny.  She’s also a percussionist, so maybe it resonated with her in that respect.

Fast forward 15-20 years, and Ernie plays a game which involves both rhyming and the drums, as well as alliteration.

You know, I just have to say, one thing I really admire about Steve Whitmire is his perfect Ernie laugh.  I’ve been working on my Ernie laugh for about 35 years, and I still haven’t gotten it right.

Sesame Saturday: Ernie’s new job

The Count hires Ernie to answer his phone.  It’s not as easy as it seems.

For nearly the past seven years, I worked as a medical transcriptionist for a local orthopedics clinic.  Then, unfortunately, that particular job ceased to exist.  (And then it sort of came back, and then it went away again.  It’s a long story.)  

Then I got a new job with a nationwide transcription company.  Suddenly I’m processing reports in from all over the country, in all different specialties.  It’s a bit like having spent seven years wading in a kiddie pool, and then suddenly being thrown into the deep end. It’s exciting, it’s frightening, it’s challenging, it’s frustrating, it’s exhilarating, and it’s bewildering, all at the same time.

It can be a bit like trying to answer the Count’s phone.  But whatever else it may be, it is certainly not boring.

Sesame Saturday: Ernie prepares for a possible flood

The weatherman on the radio predicts a chance of rain.  Ernie starts by grabbing an umbrella to take to the library, but then gets carried away:

This is a somewhat unusual sketch in that usually the camera stays static during Bert and Ernie sketches, but in this one it pans along with Ernie.

The thing that makes this sketch for me is the sound of Ernie’s galoshes.  Whether that was foley work or Jim Henson just literally put on a pair of galoshes, I don’t know, but the sound is hilarious.

There was once a young man of my acquaintance who went through a growth spurt and all his pant legs (trouser legs, if you prefer) were suddenly three inches too short.  His classmates made fun of him and asked him if he was expecting a flood.  He told me about it and I said, “Just say, ‘Yes, and when the flood comes, I will be ready and you will not, and I will laugh in your homely faces!  HA, ha ha ha!'”  He thought that was funny but, as it happens, schoolyard taunts go in and out of fashion like most things, and he never got to use it.  So I’m using it here instead, because I thought it was a pretty good comeback, if I do say so myself.

This is all in good fun, but I see that they are having literal flooding in Oklahoma right now, and that’s no laughing matter.  Stay safe, everyone.  My thoughts and prayers are with you.

 

Sesame Saturday: Rebuilding my Bert and Ernie archive, one week at a time

Sesame Street is special to me.  Way back in the day, before the capability to call up virtually every Muppet performance ever done with the click of a mouse, Sesame Street was the most reliable–and sometimes only–source of Muppet content available to me.  Even after I learned to read and count, I continued watching it when I could–i.e., whenever I wasn’t in school–for several years.

In fact, there was a brief span of time when I had started school but my younger brother hadn’t yet–he is two and a half years younger than me–and he would watch Sesame Street while I was at school and then report to me what had happened when I got home. I don’t think I asked him to do that either; he just knew I would be interested.  I remember him singing me a song that Don Music had apparently sung that day, of which the title and only lyric seemed to be “You’ll be so flabbergasted!”  

(Since the advent of YouTube, I’ve been looking for that clip ever since, to no avail.  I don’t suppose anyone out there has access to it, do you?  If someone could get it to me, I’d be eternally grateful–just so I know that I didn’t dream it.)  Thank you to reader/commenter Mike, who was able to find the clip on YouTube and was gracious enough to share it.  Check it out below:

It’s always interesting to me to find out what other people’s favorite Muppet/Sesame Street characters are, and why.  I think it oftentimes reveals a lot about the person because we tend to project our own characteristics and traits onto the Muppets with which we identify.  For example, Street Gang author Michael Davis sees Grover as a middle child because Davis, himself, is a middle child and identified Grover’s…persistence as an expression of the middle child’s desperation for parental attention.  That raises the question of who/where Grover’s other siblings are, but it doesn’t really matter; Davis needs Grover to be a middle child, and so Grover is a middle child for him.  The Muppets are kind of like Batman in that respect; they can be whatever we need them to be.

As for me, my favorite Sesame Street characters are Bert and Ernie, because they remind me so much of myself and my older sister.  

For nine years, my sister was sort of in the catbird seat in our family; being the youngest child and the only girl, she had the privilege of having a bedroom all to herself, whereas the two boys had to share.  

Then I came along and ruined all that.

Not that she ever put it to me that way, but I think that may have been in her mind on occasion.   Now she was no longer the only girl and had to share her bedroom.  And even though she was (usually) accommodating and solicitous of me, I think she resented her loss of privacy–understandably so, I should say.  Not only that, but a couple years later when my younger brother was born, my sister became the middle child.  It was sort of a double-whammy.

Anyway, when I was five and my sister was fourteen, the dynamic between us could be very similar to the character dynamic between Bert and Ernie.  I never meant to be obnoxious, but I hero-worshipped my three older siblings so much that I wanted to spend all my time around them, doing what they did, which wasn’t always convenient for them.  To be fair, for the most part the three of them were very indulgent with me and didn’t mind me tagging along, but my sister’s patience with me would usually wear out right around bedtime.  Much like in Bert and Ernie sketches, I’d be all tucked into my bed, and some sort of profoundly philosophical, preschooler sort of thought would come into my head, and I’d want to talk to her about it, and–just like Bert–she would say, “Mary, go to sleeeeep!”

I’ve felt for years now that Bert and Ernie’s comedy stylings are underappreciated, so in 2013 I embarked on an endeavor to celebrate their comedic chops by posting at least one Bert and Ernie sketch in my old blog every weekday for one year.  I made a very conscientious decision to use clips from the official Sesame Street website or YouTube channel whenever possible, out of respect for their copyrights.  

Well, no good deed goes unpunished, as it turns out, because sometime in the intervening four years, the official website has been revamped and all of the links I made to their website are now dead.  So now I’m on a mission to find those clips on YouTube–whether they’re on the official Sesame Street channel or wherever they may be–and post them again.

In today’s selections, the comedy stems directly from the fact that Bert and Ernie are puppets:

ASIDE:  While on the Sesame Street YouTube channel, I took a look at the Season 47 sizzle reel.  About 30 seconds in, Grover appears to cause a snowstorm by means of a magical sneeze and says, “Snow in the fall?  How is this possible?”  It made me laugh out loud; clearly Grover has never been to South Dakota, where we routinely incorporate snow boots into our Halloween costumes.

Things I’ve Learned from Jim Henson

(What follows is an adapted version of a post I wrote on my poor old LiveJournal in 2012.  Oh, what an innocent time it seems in retrospect!)

Like most people, I knew Jim Henson primarily through the Muppets. I never even knew what he looked like until he made a cameo appearance in A Muppet Family Christmas in 1987. Nevertheless, I–along with many others of my generation–can count him as one of my first teachers because of his involvement in Sesame Street, which was part of my daily routine for as far back as I can remember until I started school. This makes me a very small part of his legacy, a thought that makes me feel simultaneously honored and humbled.

From the research that I’ve done, the impression that I get of Jim Henson is that–in a gentle, optimistic way–he expected the best from everyone around him. He led by example, inspiring those around him to give their best by always giving the best of himself. He didn’t play to the lowest common denominator. When he was working on something like Sesame Street, for which the primary audience was children, it wasn’t simplistic or banal, and when he was working on something like The Muppet Show, which was targeted more to adults, it wasn’t rude or crude or nasty. The Muppets’ material works on multiple levels; to paraphrase Anthony Minghella, it doesn’t exclude children and doesn’t insult adults, or vice versa. In a world where entertainment, and particularly puppet acts, are almost exclusively for children or exclusively for adults, the Muppets are unique because they appeal to everyone and therefore have the power to bring people together.

In my case, the Muppets are one of the bonds that connects my family. I am the fourth of five children. My three older siblings were teenagers when my younger brother and I were preschoolers. Some of my earliest memories are of listening to my older siblings sing songs from The Muppet Movie; I think I knew all the words to “The Rainbow Connection” before I ever knew that there WAS a Muppet Movie. My older siblings had all grown up watching Sesame Street and they would happily watch it with my younger brother and me when they were able. More than that, they were always enthusiastic about singing Sesame Street songs with us or joining us in recreating Sesame Street skits (well, except at bedtime–although my sister and I sometimes inadvertently acted out quasi Bert-and-Ernie sketches when I would want to talk to her at night, and she would tell me to go to sleep). And it wasn’t just a matter of them humoring the little kids: my sister and my middlemost brother once performed Sesame Street sketch for the annual high school talent show. To this day, some of my fondest family memories involve the Muppets, and most of my fondest Muppet memories involve my family.  In May 2017, we were able to bring things full circle when the five of us siblings, plus my sister’s three kids, performed a rendition of “The Rainbow Connection” at our parents’ 50th wedding anniversary party to honor the ways in which Jim Henson’s work has brought us together as a family and given us so much joy.

In all of Jim Henson’s work, but particularly with the Muppets, he fostered imagination. In a way, he gave the entire world license to make believe. 

Somebody once said, “Jim always had respect for children, and so his characters never talked down to them.” Even as a little kid watching Sesame Street, I always had a sense of this respect. As a child, I had very little patience with kids’ shows that I found condescending. Sesame Street was never condescending. This is another case of Jim Henson’s teaching by example: by showing respect for children, he taught children to have respect for themselves.

When Jim Henson died, I learned about genuine heartbreak. I was very nearly ten years old, and it was one of my first significant experiences with death.  You sometimes hear people refer to significant (usually negative and often traumatic) events in their lives as “the end of my childhood.” I wouldn’t say that Jim Henson’s death marked the end of my childhood, but I think it was the beginning of the end. When you’re a kid (or, at least, this was my experience) there’s a wide gap between what you know and what you believe. You know about mortality; you know that you, and everybody you know, and everybody you don’t know, is going to die sometime in the murky, abstract, indetermine reaches of the future, but you try not to think too much about it. You believe in the permanence of the routine fixtures in your life and you take for granted that your heroes are invulnerable. Jim Henson was (and still is) one of my heroes, so when he died, it changed my perception of the world; it narrowed that gap between what I knew and what I believed. Death became less of an abstract concept and more of an unescapable reality.

One of the things I remember most significantly about the immediate aftermath of his death is that everyone around me, all my family, was just as devastated about it as I was. I don’t specifically remember this part, but my mom has said since then that Jim Henson’s death is one of few celebrity deaths that she has ever cried about. It was as though we had lost a close family friend…from a certain point of view, we had.

About six months after Jim Henson died, there was a TV special called “The Muppets Celebrate Jim Henson”. Toward the end of that special, once the Muppets understand the terrible truth, Gonzo says, “Jim died? But we were just starting to get to know him!” And that’s exactly the way that I felt when he died, that I was just starting to get to know him as the man behind (and beneath) the Muppets. Nevertheless, I’m very grateful to be old enough and lucky enough to remember him. I’m even grateful for the sorrow that I experienced at his death because it allows me to appreciate the joy of life–represented in so many ways by the Muppets–much more deeply than I would otherwise.

Jim Henson once said, “My hope is still to leave the world a little bit better for my having been here.” Even though he left the world far too soon, under bewilderingly tragic circumstances, he achieved that hope. I say that with absolute confidence because my own life has been so enriched by his having been a part of it, however indirectly. I have the love of music that I do in part because of Jim Henson. I have the love of literature/films/theatre that I do in large part because of Jim Henson.  I learned about cooperation from Jim Henson, and because of him, I always want to call it “Shirley,” which is to say that I have the sense of humor that I do in part because of Jim Henson. 

The foundation of love on which I have constructed and reconstructed my self-concept was built in part by Jim Henson.