As a non-Muppet, but no less beloved, pair of amphibians once sang, Merry Almost Christmas! And welcome back to 60 for 60, my yearlong tribute to Steve Whitmire in anticipation of his 60th birthday next year. In keeping with the season, the theme for this month is Christmas productions.
I first saw Muppet Christmas Carol in December 1993 when we got the VHS as a Christmas present. Suffice it to say, the initial impression it left on me was not favorable. In fact, it was so unfavorable that it was approximately 20 years before I could watch it again.
This is the story of Little Shop of Horrors and how I went from being a traumatized child to an enthusiastic fan to an eager participant in a stage production thereof. It is also the story of how my younger brother and I each ended up participating in separate, but related, productions of it.
So Kermit has been working the talk show circuit promoting his bizarre, random part in the upcoming Wizard of Oz pantomime in Los Angeles happening this month. (Which, by the way, does sound like a lot of fun. I would go see it if I had any way of getting to Los Angeles). One stop he made was on the Late Late Show with James Corden, which I didn’t watch because I don’t stay up that late late anymore:
I liked the whole “Man or Muppet” bit, I very much enjoyed Matt’s money note, and I’m just thankful Kermit’s little microphone didn’t smack anybody in the eye (as far as we know) when it went flying at the end.
I could do more in-depth analysis about it, but honestly, at this point I’m basically just saying…it is what it is. I can accept this iteration as Kermit, but he’s not “my” Kermit. I can enjoy what he’s doing, but I can’t emotionally invest in him.
And that could very well change. I have keep reminding myself that it took me six years to fully embrace Steve’s Kermit, and Matt has only been doing it for just over a year.
I’m just grateful that they didn’t sing “Rainbow Connection.” Kermit did sing “Rainbow Connection” on The Talk with his panto co-star Marissa Jaret Winokur. There was no warning, so I didn’t have time to prepare mentally, but I curbed my kneejerk reaction to leap from the couch and turn off the TV, so that’s something, I guess. And it was fine. It was a perfectly lovely performance, and it brought back fond memories of seeing Winokur perform in Hairspray when I was in college. So I’m pretty okay with the whole situation. It’s not bad, it’s not good…but it is what it is.
But now to the real reason I wanted to bring up this appearance on the Late Late Show. I wanted to make a comment about one of the interview segments, and it actually has nothing to do with Kermit at all. It has to do with the closed captions:
At the beginning of this segment Minka Kelly (whoever she is) is talking about her background working as a scrub nurse. Turn on the closed captioning during that part; it’s hilarious. “Craniotomy” becomes “crane yot me” and “hysterectomy” becomes (and this is epic) “‘histoires d’hiver’ recht me,” or…removal of French winter stories, I guess? It reminds me of the time I spent editing speech recognition documents as a medical transcriptionist.
And now you all know what that’s like. You’re welcome. 😉
Welcome back to 60 for 60, my year-long celebration of Steve Whitmire’s work and characters in anticipation of his 60th birthday next year. This month we focus on Wembley, decisively the most lovable Fraggle in the Rock.
When it comes to Fraggle Rock characters, I aspire to be Cantus, I identify most with Mokey, and I’m probably more of a Boober than I care to admit…but Wembley is the one I love most of all. As I put it to Steve in a comment on his first blog entry approximately a century ago (at least, that’s what it feels like), Wembley is “the funniest, sweetest, most excitable, naive, lovable little furry creature in all of Fraggle Rock, if not the entire Universe.”
I like Wembley because he makes me laugh, but I love Wembley because he makes me cry. Therefore, the five Wembley clips included below skew slightly to the more poignant side of the spectrum.
Bon soir, mes amis! I’ve been very busy working in advance of the upcoming holiday. When you write for a living, it’s kind of hard to keep up a blog in your free time.
I’ve been remiss in not sharing this interview I found recently of Steve from all the way back during the Niagara Falls Comic Con in June:
At three minutes long, it’s a tasty morsel. Enjoy!
Sesame Street first premiered on this date in 1969. Happy birthday, Sesame Street! And thanks for all the fun and learning over the years.
The official Sesame Street Twitter account retweeted the following videos as part of a larger thread:
I cannot tell you how delighted I am to see Herry Monster back on the Street again. Of all the Sesame Street monsters, Herry is probably my favorite.
I mean, I love Grover and Cookie Monster, of COURSE I do, and I also have a great deal of affection for the Two-Headed Monster and for Telly…but Herry is something really special to me.
I actually seem to remember being a little scared of Herry when I was quite young. It’s understandable, of course; he had that gruff voice and that gigantic eyebrow, and in the early days, Jim Henson et al. purposely invoked his intimidation factor, only to subvert in the punchline of some of the first inserts to feature Herry. Perhaps some of those early inserts were still in circulation in the early ’80s when I was watching as a very small child.
But no one could ever watch Herry’s interactions with John-John and remain afraid of him. I don’t specifically remember the first time I saw a Herry and John-John insert, but Herry has had a special place in my heart ever since.
Part Two of my two-part celebration of Mr. Caroll Spinney and his two most famous characters on the occasion of his retirement, in which I attempt to unravel the fascinating enigma that is Oscar the Grouch.
When I was a kid, I was confused by Oscar the Grouch. While I thought he was funny, I wasn’t quite sure what his purpose was, why there was a character on Sesame Street who was so rude all the time, or whether or not it was okay to laugh at him.
I was an adult before I realized that Oscar represents the dark side of the street. He’s the rain cloud that helps us appreciate the sunshine. He’s the pinch of salt that keeps all the sweetness on Sesame Street from becoming too saccharine.
In anticipation of Steve Whitmire’s 60th birthday next year, I’m celebrating his work and his characters one month at a time in this year-long series, 60 for 60. This month, the spotlight is on Steve’s first major Muppet character, Rizzo the Rat.
Who is Rizzo the Rat? According to TV Tropes, Rizzo is a Big Eater, a Lovable Coward, and a Jerk with a Heart of Gold, all of which seems accurate and consistent to me.
Personally, Rizzo strikes me as a savvy, street-wise opportunist with a talent for self-preservation. However, he has standards, and even though he was born in the sewers, there are depths to which he will not sink. For example, he’s not above taking advantage of his friends, but he’ll never sell them out completely, and he’ll always be there for them in the clinch.
When Steve appeared at the Florida Supercon, I received a Google alert regarding video of a Q&A that he did there. Since Raleigh Supercon is run by the same organization, I was expecting another Google alert regarding Steve’s appearance(s) that weekend.
Unfortunately, that Google alert never came, but over the weekend, as I was watching some of his other comic con appearances, YouTube noticed and helpfully suggested this video of a Q&A out of Raleigh as something I might like. I had been looking for something like this through most of the month of August, but apparently it hadn’t been uploaded until the middle of September.
The same moderator from the Florida Supercon is back again, although he only interviews Steve for about 10 minutes before opening it up for questions, approximately half the time that he spent on the interview portion at Florida Supercon.
This is Part One of a two-part series celebrating Caroll Spinney’s two most famous characters on the occasion of his retirement.
There’s something magical and miraculous about the mundanity of Big Bird. He does things that other birds do, such as eating birdseed and preening his feathers. He also does things that kids do, like roller skating or playing hide-and-seek.
Unlike most Muppets, there’s no need for Big Bird to hide behind a low wall or a counter or inside a giant bathtub. There are no telltale cables trailing off him, and he is unfettered by marionette strings and arm rods. Big Bird walks freely among us, as an equal.
I watched this video originally when it first came out in 2012. At that time, I hadn’t seen any Fraggle Rock, except for that one episode that I happened to catch at a friend’s house approximately 25 years prior, and I wasn’t a particular fan of Ben Folds Five either. So when I read on the Muppet fan sites that the Fraggles and Ben Folds Five had made a music video, I was initially underwhelmed: “Oh, two entities with which I am vaguely familiar sang a song together. Neat.”
Then I watched the video and it completely blew me away. I wasn’t expecting to be so affected by it. Whether it was the music or the Fraggles or the combination of the two that touched my heart, I still don’t know.
Remember my review of Phantom of the Opera, the first book in the Muppets Meet the Classics series? Two weeks ago, I received a comment on the review from Erik Forrest Jackson, the author of the book. This was both very flattering and very nerve-wracking: I never expected the author of the book to actually read my review; if I had, I would have tried to be a bit more diplomatic about what I didn’t like about it. But his comment was very kind, and he thanked me for the thoughtful review.
The next book in the series is to be released today. Because I was expecting another novel, I was surprised to find out that the next book in the series is Fairy Tales from the Brothers Grimm. If I’m being completely honest, I’m also slightly–just slightly–disappointed, if only because the Muppets have drawn so frequently from the fairy-tale well in the past.
Then again, probably the reason why the Muppets so often adapt fairy tales is that the content works so well for them. Also, based on the sample chapter that has been released–“The Frog Prince,” one of the most well-known and successful of the Muppet fairy tale adaptations–it looks as though Jackson is able to put a new spin on even the stories that the Muppets have adapted before.
(Warning: Spoilers below)
I have some more thoughts that I edited out of my post from yesterday on the grounds that it was still supposed to be a post for Matt’s birthday, and I felt some of what I wanted to say wasn’t necessarily very sensitive. Maybe it would have been okay, but I wanted to err on the side of caution.